A Quote by Antonio Gates

A dunk is nice because it can create momentum, but it's not as good as scoring a touchdown. — © Antonio Gates
A dunk is nice because it can create momentum, but it's not as good as scoring a touchdown.
I don't think people know how much time and effort truly goes into the game and goes into simply just scoring a touchdown. So when you get that opportunity, you should be able to be free and be relaxed from all the pressure that went into scoring that touchdown and have fun.
I realize now that there's a strength in dunking that I can use to my advantage. When you dunk all the time it isn't as demoralizing to the opponent, but when you dunk at a key moment in the game you can use it to change the momentum.
In practice, I run every play like I'm scoring a touchdown.
When I was in the dunk contest, DeMar DeRozan actually did the dunk I was about to do before me. That was going to be my next dunk, so I was panicking when I went up for my turn.
Against Bradley, every time I'm trying to dunk, dunk, dunk.
It's one of those things: I would 100 percent pancake a guy and steal his soul over scoring a touchdown.
You gotta try something people ain't seen before, and you gotta go to the gym and work on your dunks. In a slam dunk competition, don't show up with three dunks. You got to have eight or nine dunks because if you get into the finals and two guys may do the same dunk or one guy does the dunk better than the other.
I don't like watching others batting and scoring runs I could be scoring. It is nice to see guys being successful but at the same time I want to be the one out there doing it.
As young black boys in Alief, Texas, my friends and I often spent afternoons imagining ourselves scoring the game-winning touchdown at the end of the Super Bowl.
When I was younger, I used to dunk and they criticized me for the dunk. They said I couldn't be an All-Star because I dunked too much. So in order to get the respect from the people, I felt like I had to change my game.
Okay, I get kicked off the drums when I try and...the notes just keep coming at you and I'm like "Ahhhhh!" I can't do it. I have literally gotten booed off the stage way too many times. It's terrorizing. The rest of my band mates just are...they tell me to get off. I'm like, "I can play bass. Dunk, dunk, dunk, dunk."
There is a prevailing school of thought that something good must take time, sometimes years to create and hone. I have always felt that the books I have written fastest have been my best - because I caught an unstoppable momentum in the writing.
A lot of things look good on an academic's blackboard in terms of the actions that need to be taken. It's almost like a football coach, when you draw the X's and O's: Every play that is chalked on that board goes for a touchdown. Well, there are a lot of yards to be made between the line of scrimmage and the touchdown.
Writing fiction is like music. You have to keep it moving. You can have slow movements but there has to be a sense of momentum, of going someplace. You hear a snatch of Beethoven and it has a sense of momentum that is unmistakably his. That's a nice quality if you can do it in fiction.
I would be lying to you if I haven't been out on the football field and told a quarterback to give me a post route and simulated me catching it and running into the end zone, envisioning scoring that game-winning touchdown.
In a good meeting there is a momentum that comes from the spontaneous exchange of fresh ideas and produces extraordinary results. That momentum depends on the freedom permitted the participants.
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