A Quote by Antonio Machado
The unpublished manuscript is like an uncon-fessed sin that festers in the soul, corrupting and contaminating it.
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Sin is very important to the soul because sin is what disintegrates the soul; it's what attacks the soul. Sin kind of is to the soul what cancer is to the body.
To me, all the juice of a book is in an unpublished manuscript, and the published book is like a dead tree - just good for cutting up and building your house with.
If you're one of the hundreds of thousands of people out there toiling over your unpublished manuscript, trying to make your way across that vast ocean in a bathtub, I can only say this to you: keep paddling. Well, either that or start vlogging.
A tender heart is a wakeful, watchful heart. It watches against sin in the soul, sin in the family, sin in the calling, sin in spiritual duties and performances.
The least sin should humble the soul, but certainly the greatest sin should never discourage the soul, much less should it work the soul to despair. Despairing Judas perished, whereas the murderers of Christ, believing on Him, were saved.
I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature.
As an unpublished, nonprofessional writer working on my first novel, I nevertheless had access to extremely talented people who would help make my manuscript better, people who've made careers out of providing careful, constructive criticism to writers. I'm tremendously grateful to them.
Depression begins with disappointment. When disappointment festers in our soul, it leads to discouragement.
I like when the manuscript keeps its authentic style and form, so even if I have accepted some advice from editors, I don't really want to adapt the manuscript to the needs and expectations of the readers.
It's very, very corrupting to the spirit, doing comedy. And you have to be almost a saint, like Jack Benny was, like Steve Martin is, to avoid the corrupting of it, because there's very little work where the actual work and the reward are simultaneous, and comedy is that.
Man-like is it to fall into sin,
Fiend-like is it to dwell therein;
Christ-like is it for sin to grieve,
God-like is it all sin to leave.
Sometimes differences arise partly from incomplete information. We are finite. And we should admit that there are cases of uncertainty. But often the differences become exacerbated because of sinful inclinations underneath the surface, which incline us to prefer our own ideas and not to submit to what is less comfortable. We must be cautious about accusing anyone else of sin. We don't know people's hearts. But we must also avoid being naïve about the subtlety of sin and the corrupting effects of sin on the mind - our own minds, not only the mind of the other fellow.
In the night ride across the Wular lake a small storm made me worry for the safety of my manuscript (Rajatarangini). It seemed as if the goddess of wisdom - Sharada, represented by waters of Kashmir, was unwilling to let me abduct the manuscript. This is what happened 1200 years ago to the Chinese pilgrim Hiuen-Tsang, who had to leave his Sanskrit manuscript in the angry Indus River.
In the end, the difference between a published writer and an unpublished one comes down to one thing: The unpublished writer gave up, and the published writer didn't.
The soul of man, like the bird in the shell, is still growing or ripening in sin or grace, till at last the shell breaks by death, and the soul flies away to the piece it is prepared for, and where it must abide forever.
Sin is a basilisk whose eyes are full of venom. If the eye of thy soul see her first, it reflects her own poison and kills her; if she see thy soul, unseen, or seen too late, with her poison, she kills thee: since therefore thou canst not escape thy sin, let not thy sin escape thy observation.
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