A Quote by Antony Gormley
It doesn't matter if you can't speak the same language. If you have pictures, or better still, if you can draw things, then you can communicate anything to anyone.
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If you listen to Hillary 30 years ago and Hillary today, she's still complaining about the same things. She's still promising to fix the same things. She's still suggesting we need to address the same things. It tells me that in 30 years, she has not solved anything. In 30 years, she hasn't fixed anything. In 30 years, she hasn't made anything better.
You only have to look at London, where almost half of all primary school children speak English as a second language, to see the challenges we now face as a country. This isn't fair to anyone: how can people build relationships with their neighbours if they can't even speak the same language?
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
Of all of our inventions for mass communication, pictures still speak the most universally understood language.
After all, when you come right down to it, how many people speak the same language even when they speak the same language?
An inability to communicate has little to do with international friction-as is seen in the special ferocity of wars fought between people who speak the same language.
Language exists to communicate whatever it can communicate. Some things it communicates so badly that we never attempt to communicate them by words if any other medium is available.
I'm not saying that things now aren't better for black people. Thank God they're definitely better, but some things are still the same. "Better" is not good enough - it's not. Especially when "better" still means my life is at risk.
Money is like any other language through which people communicate. People who speak the same language tend to find each other. If you are one whose money speaks of protection and hoarding, you will find yourself involved with others whose money speaks the same language. You will be staring at each other with hooded eyes and closed fists and suspicion will be your common value. If your money speaks of sharing, you will find yourself among people who want their money to speak the language of sharing, and your world will be filled with possibility.
I speak English, obviously, Afrikaans, which is a derivative of Dutch that we have in South Africa. And then I speak African languages. So I speak Zulu. I speak Xhosa. I speak Tswana. And I speak Tsonga. And like - so those are my languages of the core. And then I don't claim German, but I can have a conversation in it. So I'm trying to make that officially my seventh language. And then, hopefully, I can learn Spanish.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
But still it's like I said, when you hop in a cab in Italy and the guy doesn't speak English, uhh, you know, you have to start pointin' at things. You learn how to deal with it. What I'm tryin' to say is that it's not as convenient as touring in the states or say somewhere like Australia or even England where they speak the same language fluently.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
Doesn't matter what language you speak or what clothes you wear. Some things don't change. Families. Friends. Lovers. They're the same in every city in every country in every continent of the world.
Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
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