A Quote by Antony Gormley

It is a depressing business talking to journalist. — © Antony Gormley
It is a depressing business talking to journalist.
As a journalist, I have spent years reporting on often difficult and depressing conflicts, on poverty, and the inhuman way we sometimes treat each other.
Employees hate meetings because they reveal that self-promotion, sycophancy, dissimulation and constantly talking nonsense in a loud confident voice are more impressive than merely being good at the job - and it is depressing to lack these skills but even more depressing to discover one's self using them.
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
Certainly, when it comes to my profession as a journalist, that allows the government to trace what you're reporting, who you're talking to, and where you've been. So no matter whether or not I have a commitment to protect my sources, the government may still have information that might allow them to identify whom I'm talking to.
The one thing that shaped my life was when I was 15 or 16: I knew I wanted to be a journalist. And not just a journalist, but a journalist in the Middle East, and to go back to the Arab world and try to understand what it meant to be Lebanese.
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
I knew I wanted to be a journalist ever since I was a teenager. While it is interesting and gratifying to be on the business side and to see how that all works, the main reason I kept a business role here was to protect the editorial integrity of Salon.
My motto: 'No good movie is depressing. All bad movies are depressing.'
I'm not in the business of being 'friendly.' First and foremost, I'm a journalist. My business is the truth. Now, I happen to be other things, too - a pop-culture phenomenon, the most in-demand speaker on the campus lecture circuit, whatever. But I believe in facts.
Here is where you get into the danger zone, when the government official starts talking about U.S. government business and then also talking about what personal business favors they might want. And when the conversation goes down that road, it does risk crossing the line into solicitation of a bribe.
I know of no American who starts from a higher level of aspiration than the journalist. . . . He plans to be both an artist and a moralist -- a master of lovely words and merchant of sound ideas. He ends, commonly, as the most depressing jackass of his community -- that is, if his career goes on to what is called a success.
If anybody ever tries to do an investigative report on a journalist, much like the kind and the way a journalist would do on a public figure, have you ever seen a stuck pig? Because that's what the journalist looks like.
I'm in the business, as a journalist, of asking tough questions.
I am old enough to think the word 'journalist' is not all that noble a designation. Journalist - that record keeper, quote taker and processor of press releases - was, in the world of letters I grew up in, a lower-down job. To be a writer - once the ambition of every journalist - was to be the greater truth teller.
The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing.
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