A Quote by Antony Hegarty
I feel very grateful that for some reason I was raised to believe that I had permission to explore the creative world. I'm very aware of what a privilege that is, because most people don't grant themselves that permission, and I really think that's the only thing that separates people that call themselves artists from the rest of the world. It's suspending self-judgment for long enough to do something expressive.
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I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
Some people say that without God, people would give themselves permission to do anything. [Yet] only with God, only with the view that God's on your side, can people give themselves permission to do things that otherwise would be called satanic.
If, before undertaking some action, you must obtain the permission of society-you are not free, whether such permission is granted to you or not. Only a slave acts on permission. A permission is not a right.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right.
For instance, in group therapy, I'll have people stand up, show off, give a speech about themselves as though they've just died and have to give a eulogy. Even with this explicit permission - even an order - to say something nice about themselves, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
Well, I have considered myself to be very fortunate in that I have been able to do mostly only that which my inner self told me to do... I am also aware that I do receive much criticism from the outside world for what I do and some people actually get angry at me. But this does not really touch me because I feel that these people do not live in he same world as do I.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
When people who believe themselves to be addicts or alcoholics come under great stress or trauma, they mentally give themselves permission to drink or use drugs as a remedy.
The world needs women who stop asking for permission from the principal. Permission to live their lives as they deeply know they often should. I think we still look to authority figures for validation, recognition, permission.
It's actually hard for creative people to know themselves because the creative self is more complex than the non-creative self. The things that stand out the most are the paradoxes of the creative self ... Imaginative people have messier minds.
No one can manage you if you don't give them permission to do so. But if you are interested in accomplishing as much as you are capable of, then I believe there are good reasons to grant that permission.
I really hope that people feel permission to talk about their own troubles, but also to celebrate themselves.
I can't believe people think they need permission to drive. Or permission to do anything.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right. Being frightened when you're not sure you're all right is a big difference.
I've had so many moments where seeing other women be fully and truly and authentically themselves, and express that, has given me permission. Once you see it happening, you're like, "Oh, I have permission to do that, too."
There's a kind of permission for war which can be given only by the world's mood and atmosphere, the feel of its pulse. It would be madness to undertake a war without that permission.
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