Diane Cluck is a virtuosic talent with an emotionality that feels at once ancient and alien. Her mastery of her voice as an ecstatic instrument is so compelling.
That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.
She had sacrificed her childhood to save her brothers; she loved her family above all else, and her spirits yearned to return home once more, to the wild forest and the land of mystic tales and ancient spirits whence he had taken her. That was the place of her heart, and if he loved her, he must let her go.
In I Praise My Destroyer, Diane Ackerman demonstrates once again her love for the specific language that rises from the juncture of self and the natural world, and her skillful use of that language. Whether she turns her attention to the act of eating an apricot 'the color of shame and dawn,' or to 'the omnipotence of light,' or to grief when 'All the greens of summer have blown apart,' her linking of unique images, her energetic wit and whimsy, her compassionate investment in life, always bring new pleasures and perceptions to the reader.
Diane Cluck is part of the anti-folk movement in New York. She's got a really haunting voice, and she usually sings in the pentatonic scale.
The world is a better place because of Margot. Let us remember and give thanks for Margot, her brilliant mind, her loving heart, her beautiful voice, her activism, her writings, her news reporting, her other works, her magic, her bright spirit.
My wife, my Mary, goes to her sleep the way you would close the door of a closet. So many times I have watched her with envy. Her lovely body squirms a moment as though she fitted herself into a cocoon. She sighs once and at the end of it her eyes close and her lips, untroubled, fall into that wise and remote smile of the Ancient Greek gods. She smiles all night in her sleep, her breath purrs in her throat, not a snore, a kitten's purr... She loves to sleep and sleep welcomes her.
I hate the thought of her being forced into a box that doesn't fit her. Of having her wings cut off, her sight blinded, her hearing muted, her voice stilled.
I believe that a woman should always remain a woman and nothing feminine should be alien to her. At the same time, I strongly feel that no work done by a woman in the field of science or culture or whatever, however vigorous or demanding, can enter into conflict with her ancient 'wonderful mission' -- to love, to be loved -- and with her craving for the bliss of motherhood.
Maternal love, like an orange tree, buds and blossoms and bears at once. When a woman puts her finger for the first time into the tiny hand of her baby and feels that helpless clutch which tightens her very heartstrings, she is born again with her newborn child.
It has nothing to do with [Renee] being a female or not, it has to do with her being the right person for the job. She’s got a great voice that cuts through the clutter. She is very knowledgeable about WWE, about its history, about the talent and she is really willing to step up and do her homework. I think you’re going to see her grow. You’re going to see her jump on this challenge to become a regular fixture and a regular voice and, hopefully, maybe one day the voice of WWE.
What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
The voice sank through luce's skin and straight into her heart. Daniel's voice. He was calling to her. He wanted her. Needed her. Luce moved towards the sound
I loved Chiara Mastroianni voice, her talent, her generosity. We rehearsed for two months...She's a workaholic and perfectionist, like Vincent [Paronnaud] and myself.
If Diane Modahl was 40 times over the testosterone limit she'd have a deep voice and we'd all be calling her Barry White.