A Quote by Antony Johnston

I like high fantasy as much as the next guy, but I also like a bit of grit and grime with my faux-medieval trappings. — © Antony Johnston
I like high fantasy as much as the next guy, but I also like a bit of grit and grime with my faux-medieval trappings.
A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.
THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.
GRIT is Guts, Resilience, Industriousness and Tenacity. GRIT is the ability to focus, stay determined, stay optimistic in the face of a challenge, and simply work harder than the next guy or gal.
I'm kind of like a guy who's missing a little bit of the guy gene. Like, I love steak, but the notion of golfing is the last thing I would want to do. I love women, but I'm also a mama's boy, and some of my best friends are women. So I'm kinda half guy's guy.
Having a Christian worldview means being utterly convinced that biblical principles are not only true but also work better in the grit and grime of the real world.
I don't play fantasy baseball anymore now because it's too much work, and I feel like I have to hold myself up to such a high standard. I'm pretty serious about my fantasy football, though.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I love the standard fantasy setting of Medieval England and Medieval Europe, but I wanted to go somewhere different.
I like vengeance as much as the next guy, if the next guy likes vengeance a whole lot.
But if an actress asks me my opinion, I would tell her there are a million different designers who make faux fur. If you like that look, wear faux fur. If you're doing it on the red carpet, you're doing it for how it looks. Faux fur and real fur look the same on camera.
People often link grime with other things, like street culture, and clashing, and MC battles and whatnot. But no one's ever talked in misogyny in grime. That's often linked to hip-hop, I know people talk about that is a problem in hip-hop. But not grime.
I like a challenging comic as much as the next guy but I feel like I am pretty conservative when it comes to laying out my comics. I like the panels to be clear and keep any ambiguity to the story or actual reading.
Sorry. I'm not, like, medieval torture expert guy.
Goering was known to wear togas, fur coats and faux-medieval hunting outfits.
In high school, I remember feeling like a Jughead - like I was a little bit weird and kind of emotional. I also remember feeling like an Archie - sort of the leader of the pack.
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