A Quote by Antony Johnston
So, yes, 'Codename Baboushka' is all-action and over-the-top, at least by my standards. But it also has a complex, multifaceted protagonist, a deep mystery at its core, and a kind of humanity that, through all the bullets and high-kicks, is really the soul of the book.
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'Codename Baboushka' is an action-packed modern pulp spy thriller, in the sort of British tradition of 'Modesty Blaise', New Avengers and of course James Bond. It's a book about Contessa Annika Malikova, the last of a noble Russian line and an enigmatic, mysterious figure in New York high society.
I'm a rather multifaceted person - or at least I like to fashion myself as such - so my dreams are multifaceted. For example, I had a dream of winning a Grammy, right? I've done that three times over.
I'd say 'Codename Baboushka' has been a slightly more difficult process for me, but I think that's precisely because it's quite different to my usual fare. And even then, being difficult doesn't make me prefer it, or not, to anything else. I like a challenge.
There is in every animal's eye a dim image and gleam of humanity, a flash of strange light through which their life looks out and up to our great mystery of command over them, and claims the fellowship of the creature if not of the soul.
Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.
In very general terms 'Top Of The Lake' is about good and evil. It's a deep dark mystery. It also deals with lots of fascinating human relationships, and it's also about the battle of the sexes.
There isn't really any Common Core any more. Each state is able to set the standards for their state. They may elect to adopt very high standards for their students to aspire to and to work toward. And that will be up to each state.
I think as an actor, it's very exciting when you have a really fully realized, complex, multifaceted character already established.
All of these concoctions that we think are Mexican, are in no way reflective of the deep, incredibly old, complex and sophisticated deep regional cuisine of Mexico. Or the new modern Mexican cuisine, which has really been exploding over the last few years. I think we just have a completely misrepresented view of how good, how complex these flavors are. I think we could learn a lot more. It's a great cuisine that's really moving forward, faster than any other.
When we put music on, he kind of kicks in the belly, and it's cool to see how he's not even born yet, but he's already responding to the music. When I talk to him, he kicks as well. It's a very deep connection that I have with my son already and he's not even born. So I'm loving it.
There are no soul mates. Not in the traditional sense, at least. In my 20s someone told me that each person has not one but 30 soul mates walking the earth. (“Yes,” said a colleague, when I informed him of this, “and I’m trying to sleep with all of them.”) In fact, “soul mate” isn’t a pre-existing condition. It’s an earned title. They’re made over time.
The cool thing about Kyle Killen, he writes really defined characters. I was a big fan of 'Awake' and also 'Lone Star.' I just think that he's a really, really special writer, and complex and deep, and a really smart dude.
Human knowledge and skills alone cannot lead humanity to a happy and dignified life. Humanity has every reason to place the proclaimers of high moral standards and values above the discoverers of objective truth.
A lot of my work is about equalizing things and kind of destroying any barrier between what's high and low, or what's deep or what's shallow, complex or simple. I hope I'm ever-changing.
When you're a mass-market writer, people think that you can just decide 'this happens, this happens, this happens', whereas with literary writers it's coming from their soul and their core. But with me it does come from my soul and my core, and my soul and my core often go AWOL, and then I've nothing to write.
So I should be aware of the dangers of self-consciousness, but at the same time, I’ll be plowing through the fog of all these echoes, plowing through mixed metaphors, noise, and will try to show the core, which is still there, as a core, and is valid, despite the fog. The core is the core is the core. There is always the core, that can’t be articulated. Only caricatured.
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