A Quote by Antony Johnston
I sometimes see People On The Internet decrying work-in-progress tweets and posts as worthless. 'Measuring output by quantity rather than quality is dangerous,' they say. 'More work doesn't mean better work!'
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In the past, a writer had to go outside and get to know others before learning about their work, but the Internet has made humanity more accessible for misanthropes like me. I read blogs, tweets, Facebook posts and Reddit threads where people detail their jobs.
I see more and more that my work goes infinitely better when I am properly fed, and the paints are there, and the studio and all that... I wish I could manage to make you really understand that when you give money to artists, you are yourself doing an artist's work, and that I only want my pictures to be of such a quality that you will not be too dissatisfied with your work.
If then, as we say, good craftsmen look to the mean as they work, and if virtue, like nature, is more accurate and better than any form of art, it will follow that virtue has the quality of hitting the mean. I refer to moral virtue [not intellectual], for this is concerned with emotions and actions, in which one can have excess or deficiency or a due mean.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
My success was the shock of recognition, probably, rather than the quality of the work. I mean, the quality may have been fine, but there's a lot of fine work out there. It was the fact that I was doing something that at that time, nobody else was doing, except for say, Mort Saul out in San Francisco on The Hungry Eye, and "Second City" was emerging out in Chicago. Nothing in print. It was basically happening in cabaret and nothing in fiction. And certainly nothing in New York in cartoons.
The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.
Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived... I'm still learning all the time.
Everybody's a work in progress. I'm a work in progress. I mean, I've never arrived. I'm still learning all the time.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
... to work, to work hard, to see work steadily, and see it whole, was the way to be reputable. I think I always respected a goodblacksmith more than a lady of leisure.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
There are always things that I'd love to do. As an actor, none of them are specific; all I'm looking for are things that are good quality, that are challenging for me to work on, and even better if I get to work with people that I respect and am excited to work with.
There must be some one quality without which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless.
Music is not free to make. Studios are going under because people now work at laptops. Quantity over quality is what begins to happen; the idea of what quality is has changed.
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