A Quote by Antony Starr

We're dependent on buying overseas productions and television shows. A lot of the time they come in packages, I think. You take the hit show and you take a couple of other unloved children that they want to get rid of along with the hit show.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.
The object is to hit the other guy and not get hit. I think the least amount of damage you can take is the best route.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
Walking into a show when I was 16, at that time when it was the No. 1 hit show, and replacing a character comes with so many expectations. I felt a lot of pressure with that.
I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.
It's every actor's dream to work in a hit show on Broadway and also shoot a television show.
There are various factors that make a show, so if the shows of other actors did not work, it's not their fault. I don't think it is fair to take names or bring down someone because their show didn't do well.
Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
A lot of producers and creative types want to see you be you. Throw something else out there and show them where you would take this part. A lot of them are launching shows for the first time, so they've got a lot riding on this, too, and they want you to be their flight.
Every show on television has a downward trend because there are so many more things to watch. You can only deal with what is the benchmark of a hit series and 'Survivor' clearly remains a hit series.
A 5 yr. old's definition of nursery school: "A place where they teach children who hit, not to hit, and children who don't hit, to hit back."
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
It's not an exercise on how to avoid getting hit. I think there are certain safety measures that take care of the mental part of it, with players not looking to hit somebody in the head. They've done that. But let's not take the entertainment value out of football.
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