A Quote by Antony Tudor
Sometimes I feel as if sections of my ballets were done for me - that I didn't do them myself.
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Sometimes I feel as if sections of my ballets were done for me - that I didnt do them myself.
I remember that my mother used to take me to see ballets, especially if there were black people in them.
Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
I feel like within each of us is a million different people that we could reveal and that we can be sometimes... And for me, the process of acting isn't so much about finding the person outside of myself and mimicking them but, rather, releasing parts of myself and adding them to the character.
Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
I like dramatic ballets, particularly if they're ballets in which I have a chance to go from one extreme of style or characterization to another.
That we can come here today and in the presence of thousands and tens of thousands of the survivors of the gallant army of Northern Virginia and their descendants, establish such an enduring monument by their hospitable welcome and acclaim, is conclusive proof of the uniting of the sections, and a universal confession that all that was done was well done, that the battle had to be fought, that the sections had to be tried, but that in the end, the result has inured to the common benefit of all.
If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.
But I can tell you I myself have made many mistakes. Things sometimes I would be ashamed to admit. But if it weren't for those mistakes I wouldn't have seen the beauty in me. I wouldn't have awoken the goddess that lives in me. You see, goddesses although immortal were all flawed. They were all a bit extreme at their calling, and they were all betrayed and hurt at some point. They were even considered devious but what made them unique was their strength.
I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't be able to control myself at all. I'd have to blow up the cars or something like that, and I think also people are scared of working sometimes with feature directors, because they feel like you're not going to listen to their opinions.
When I was younger, I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
When I was younger I always wanted to impress, to be good for my country, to make them feel good, and sometimes that meant I didn't focus on myself enough. I learned I had to put myself first. And it's fine because I want for me the same thing that they want for me, which is to win.
I feel like if I were to play the game completely and just get myself in a giant bottle of nail polish and put myself on display, I would feel like I had somehow cosmically lost. I feel like I'm taking a bunch of the ingredients and using some of them but not all of them and shuffling around and making people think I'm doing my job.
Strangers with puzzled looks were amazingly cooperative in letting me into their rooms with my photographic gear. They let me take down the curtains, wash the windows, and rearrange the furniture. Often, too, they expressed their desire to share their view with others, as if it were a non-depletable treasure. I liked the idea that my photographic vantage points were not solely determined by myself. They were predetermined by others, sometimes years earlier, and patiently waited for me to discover them.
Sometimes I feel really bad for the audience. I don't know how to make them happy. And you just feel drained cause you're trying everything possible to turn things around. And sometimes it is possible to turn things around on stage, and I've done it before, but sometimes it's impossible.
I used to feel sorry for some of the guys who were in 'EastEnders,' who had done something terrible to somebody, and people were shouting at them in the street. I'd think: 'God, I'd hate it if that happened to me.'
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