A Quote by Antonya Nelson
I think maybe short stories operate in some of the same ways that poems do. They frame single or small moments and elevate those. They give you insight into more minor dramas maybe, dramas between smaller groups of people.
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I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
There are many dramas that I would like to make: dramas based on real stories. It's approaching things from the other side.
You can't write a screenplay if you've been doing a zero-hours contract. Which means that the people who write drama, the people who commission dramas, and the people who direct dramas all come from a small circle of society.
'The Bi Life' will show many stories. I think that people will find some of those stereotypes, maybe some people are greedy, maybe some people are using bisexual as a transition, but not all of them are.
I do think that people have an obligation to give back but that doesn't necessarily mean that you give back just the traditional way. Maybe there's new ways to give back and make a contribution. I'm looking forward to some mix of philanthropy - maybe through a somewhat different prism - as well as helping entrepreneurs build some significant new businesses.
Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
I vacillate between feeling grateful for what I have in such hard times for the music business and being frustrated that I haven't moved up more quickly. It can be dispiriting to play the same small clubs tour after tour. You think: "When am I going to get to theatres, maybe even arenas?" But maybe that's not on the cards for me, maybe I don't have a wide enough appeal. Most days, I am happy to have the best job in the world.
A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.
When I meet fans who relate to Korean films and dramas even though they don't understand the language or the culture, and when they talk about studying Korean and traveling to Korea because of those films and dramas, I think to myself that this is the true force of the Hallyu wave.
It seems to me conspiracy is at the heart of dozens of TV dramas currently on. Maybe that itself is some kind of conspiracy.
I write R-rated action dramas, and every year that goes by, that gets to be a smaller and smaller world you have to work in. You have to think of how to get the studio excited and sell them something.
There are so many moments to remember and sometimes I think that maybe we're not really people at all. Maybe moments are what we are.... Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
All the genres are so blended nowadays. There are lots of comedies out there that are more realistic than dramas, and some dramas out there that are so broad and wacky that they don't even pass for a broad, wacky comedy.
I've kind of always had this balance between genre and personal dramas. It almost feels like the two help each other. If I was just to make a genre film, maybe it would be hollow and soulless. If I was just to make a personal drama, maybe it would be melodramatic and nobody would ever go see it.
Maybe the heart is part of the mist.
And that's all that there is or could ever exist.
Maybe and maybe and maybe some more.
Maybe's the exit that I'm looking for.
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