A Quote by Antonya Nelson

Finding pleasure in revision is the thing I would most strongly advise to people. It's not something I did as a younger writer; I learned it over time. — © Antonya Nelson
Finding pleasure in revision is the thing I would most strongly advise to people. It's not something I did as a younger writer; I learned it over time.
There are three sorts of pleasures which are advantageous, and three which are injurious. Finding pleasure in the discriminating study of ceremonies and music, finding pleasure in discussing the good points in the conduct of others, and finding pleasure in having many wise friends, these are advantageous. But finding pleasure in profligate enjoyments, finding pleasure in idle gadding about, and finding pleasure in feasting, these are injurious.
With time some poems just fall by the wayside. Other poems get better over time with revision, revision, revision. My ladybug poem took 10 minutes to write but was 10 years in the making.
I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer.
I can't count the number of people I've talked to over the course of my career who have said to me that the thing that they most regret is the one time they did something just for the money.
Having serious consequences to your decision-making process is something you have to be very comfortable with. It's something you learn and you practise over time, so I encourage people to find some way to challenge themselves. The other thing I share with people, which I've learned over time, is self-confidence. You have to get very comfortable with saying, "Well, every day, I'm just going to give my best. I have skill sets I've learned, I'm going to employ them, and my best is going to be good enough".
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
I think there simply comes a point at which you're beating your head against the wall with revision, when you're making something different but not better. For me, revision usually has more to do with making the language prettier, finding clearer images, using more active verbs.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
I would not advise people who feel strongly or are concerned about some of the issues that have been raised during the course of the [president electing] campaign.
The sense of anger I had when I was younger is something I thought would never go away. Over time, it's something you get almost bored with.
I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.
That was an interesting thing I learned I think the first time I did a late night show or something. It was like, "Oh, this is for the camera and a performance that you're giving to the people at home."
I don't make records for pleasure. I did when I was a younger artist, but I don't today. I record so that I can feed people what they need, what they feel. Hopefully, I record so that I can help someone overcome a bad time
I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.
I don't think that writer's block exists really. I think that when you're trying to do something prematurely, it just won't come. Certain subjects just need time, as I've learned over and over again. You've got to wait before you write about them.
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