A Quote by Antonya Nelson
Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.
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For me, personally, I think the serious gamers - the guys who know the levels - play Xbox, and people who are just good at the game play PS3. I play PS3 because I'm not a serious, serious gamer like that. But when I play the Xbox, the standard is so much higher.
In all honesty I think, sometimes with the LGBT community, if you look at anything else surrounding it, there's always been this oddness and sense of humor. I really appreciate that. It's kind of a hard world to take yourself too seriously. It's a good balance check. It's not serious all the time. I'm that way too, even though I write a lot of depressing music. A lot of times our shows are not very serious at all. We joke a lot and then we play a sad song and then we joke again.
What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.
When I'm in the middle of a book it can go up from there. When you're putting in those hours, the real world kind of fades and the world you're creating becomes almost more real to you than the outside world.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
I want to play for Arsenal. When you see football all around the world, you see very few teams who play the way that we play. I just enjoy it. I feel it is my home now.
I want to play for Arsenal. When you see football all around the world you see very few teams who play the way that we play. I just enjoy it. I feel it is my home now.
Food is an excellent way to do very elegant worldbuilding - the kind that can make a fictional world seem real, like it extends way past the edges of the frame.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
Something that can happen when you enter the world of being an actress is that people see you one way and have a really hard time using their imaginations to see you any other way. I would be completely satisfied if I could go the rest of my life without being super-huge and super pigeonholed - I would love to play different characters the rest of my life.
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)
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