A Quote by Anu Malik

I remember going to a music company and while I was sitting there I saw Panchamda. He saw me and hid from me - because he had come there asking for work. That was the most painful moment of my life - that one of the greatest composers, a living legend, was looking for work.
My parents always wonder why I work round the clock and I never had an answer, until one day I came across a street full of Oyos. I saw so many families and friends on holiday there. This made me happy - life had come full circle in that moment!
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
I remember going foraging for breakfast in St. Louis once. I saw this one girl sitting in front of the venue, and she made this pink T-shirt with a big heart in the middle of it and a misty picture of our guitarist Mark [Potter]. She was so embarrassed when she saw me. And I was trying desperately not to laugh.
I began my work in the '70s, teaching at a university in Bangladesh, and these economic theories that I had learned stopped ringing true for me, as I saw the misery of people living all around me.
His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.
I saw my name: THOMAS, Petria. Saw my time, 57.72. Saw the number one next to them. I'd done it. Me! Petria Thomas, Olympic champion. The feeling inside was one of pure, utter joy. Excitement, disbelief, relief, hapiness, amazement, the whole works. Id worked so hard. I'd gone through so much, privately, publicly. I'd lost faith in myself and found it again. I'd sometimes stopped believing that I could do it and that I had a purpose in life. I'd come through the darkness, and this, this moment, was the sweetest, most amazing light there could possibly be. I was alive and loving it!
The whole time I was on 'Grey's,' I'm still reconciling myself to my 11-year-old son, because he never saw me during that time. By the time he got up, he'd see a dent in his pillow, but by the time I got home, he was already asleep. So for three years, he had a daddy that he never saw because I had to work.
I saw that my best work was my most personal work, which is odd, because my fiction is very far afield and has nothing to do with my life.
I was always matching wits with authority. Pondering over my past and present hassles, I began to wonder why my life had taken the direction it had. What cosmic forces had led me to this precise moment that saw me, once again, dancing on the rim of the volcano? The answers started to come to me as my life flashed before my eyes. I think it all started when I was arrested as a pyromaniac.
I think that in Atlanta I was hoping that things would have worked out. Once I saw that things weren't going to work out, I saw what was going to be the best situation for me to try to win an NBA championship.
When I was going off to training and matches at Arsenal, my mum wouldn't be on the side cheering me on: she'd be working so I'd have football boots. I saw that you had to work hard if you wanted to do anything in life.
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.
When 'Soorma' was first discussed with me, 'Bhaag Milkha Bhaag' was fresh in my memory because when I saw it and saw the hard work that went into making Milkha Singh an iconic figure, I felt that a biopic should also be made highlighting the odds that I've fought to make it so far in life.
In my early teens, I was working in a Wimpy Bar and delivering cab company cards to make cash. I also ran a tuck shop at school. I struggled academically because of being dyslexic. When I saw other families and what they had, it inspired me. I thought, 'I can get that, too, if I work hard.'
I've always had a passion for music, but I never saw me as a musician for a living. I never thought that I could make a living. It never dawned on me.
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