A Quote by Anu Malik
There are very few music projects like 'Border,' that you get to work on in your lifetime.
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In a lifetime, you can say, yes, you have instances of pleasure, of happiness, you like some of your work, but your work is the entire story, and if you are not satisfied with a few moments of a few parts of that story, you would like to be able to adjust that.
The way to win is to work, work, work, work and hope to have a few insights And you're probably not going to be smart enough to find thousands in a lifetime. And when you get a few, you really load up. It's just that simple.
I think after a few years and working on so many projects, you don't get jaded but the level of your expectations is minimal, especially the way the music industry is today.
If you don't have work for a border collie or time to train it properly, your bright young border collie will invent his own work, and chances are you won't like it.
I work anywhere between three and 10 years on a project, depending on the size. My lifetime is finite. Therefore, I have to look carefully at how many projects I want to put into my lifetime.
Whatever work you undertake to do in your lifetime, it is very important that first you have a passion for it - you know, get excited about it - and second, that you have fun with it. That's important. Otherwise, you see, your work becomes nothing but an idle chore. Then, you hate the life you live.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
Basic research is to work at the very edge, the very border of, of knowledge, and move that border forward. You look and look for new secrets, and you don't know where it's going to lead you.
Our struggle is a struggle to redeem the soul of America. It's not a struggle that lasts for a few days, a few weeks, a few months, or a few years. It is the struggle of a lifetime, more than one lifetime.
You know, it's very easy to have a few beers with people in the music industry and suddenly be friends for life - 'Let's work together!' All of a sudden, you're trying to form a super group with a few people you've met in a club. I'm not into that, myself. Those aren't your mates.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
It's basically the best job in the world. If you're fortunate enough - and I consider myself fortunate - you get to work with your friends and you get to work on projects that interest you.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
I like to work on a number of things simultaneously. If you're working on a variety of projects and if you get stuck on one of them, you can move to another without grinding your gears indefinitely.
Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.
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