A Quote by Anu Malik

There are seven notes - Sa Re Ga Ma Pa Dha Ni no one is original in the world. We have to play around the notes and make our own stuff. — © Anu Malik
There are seven notes - Sa Re Ga Ma Pa Dha Ni no one is original in the world. We have to play around the notes and make our own stuff.
Around eight or nine years back, I participated in 'Sa Re Ga Ma Pa.' The point of coming on the show was that a person coming from music family can also compete with people from all over India.
When people see shows like 'Antakshari' or 'Sa Re Ga Ma Pa' they are encouraged to take part in such shows.
When I started‚ I faced a lot of hardships. People used to call me a Rafi clone because I used to sing my favourite singer's songs. Then 'Sa Re Ga Ma Pa' happened. It gave me a good break.
When I started, I faced a lot of hardships. People used to call me a Rafi clone because I used to sing my favourite singer's songs. Then 'Sa Re Ga Ma Pa' happened. It gave me a good break.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
On Pinwheel, you can find and leave notes all around the world. The notes can be public or private, shared with an individual, a group, or everyone.
Lee Morgan used to stand behind me when I was playing a ballad and he'd be hollering, "Play the pretty notes, man, play the pretty notes." I thought I was playing the pretty notes, but you know, things like that help you to reach a little further.
I took notes on the people around me, in my town, in my family, in my memory. I took notes on my own state of mind, my grandiosity, the low self-esteem. I wrote down the funny stuff I overheard. I learned to be like a ship's rat, veined ears trembling, and I learned to scribble it all down.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too.
In holy music's golden speech Remotest notes to notes respond: Each octave is a world; yet each Vibrates to worlds beyond its own.
Lots of times it really doesn't matter what notes you play, but what notes come before and after a run.
You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.
Dont play any notes. Notes are for babies.
I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.
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