A Quote by Anu Malik

I didn't knock on any producers' doors for work. — © Anu Malik
I didn't knock on any producers' doors for work.
You had to knock the doors of the great directors and producers; of course I needed the work and was desperate for work. I remember one of the producers saying, we have R.D. Burman, we have Laxmikant-Pyarelal, we've got Kalyanji-Anandji with us, why should we take you?'
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not work those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
No man ever got very high by pulling other people down. The intelligent merchant does not knock his competitors. The sensible worker does not knock those who work with him. Don't knock your friends. Don't knock your enemies. Don't knock yourself.
When you walk into a field office, you have many opportunities. We'll hand you a call sheet. You can make calls. You can knock on doors, and they'll have these stacks there for you. They'll say: 'Harper, you've knocked on 50 doors. That's great. Here's how you compare to the rest of them.' But it's all very offline.
Here it comes," she said with an expression of pure bliss. "Drug rush ... any moment now ... the surge of warmth ... bye-bye, Mr. Pain..." "Vee-" "Knock, knock." "This is really important-" "Knock, knock." "It's about Elliot-" "Knock, knoooock," she said in a singsong voice. I sighed. "Who's there?" "Boo." "Boo who?" "Boo-hoo, somebody's crying, and it's not me!" She broke into hysterical laughter.
I haven't knocked all the doors I need to knock down, but I can see it happening more and more. It will just take more perseverance and work.
The doors will be opened to those who are bold enough to knock.
I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"
I suffered a lot of setbacks when I started; I didn't have any work experience and no real confidence to go after the career that I knew in the back of my mind I really wanted. It affected my confidence as knock-back after knock-back left me feeling like I might never succeed.
I didn't want to just be an analyst for women's basketball and volleyball. I didn't just want to be a sideline reporter. I didn't just want to be a host. I wanted to be someone that my producers or coordinating producers could call on me for any event, any subject matter or any role.
I think when it comes to television as opposed to film, the producers really are the writers. We work with people who are purely financial producers.
The main object of teaching is not to give explanations, but to knock at the doors of the mind.
I'm a great believer that if you knock on enough doors and stay at the level maybe an opportunity comes.
I advocate for people who believe sex work is work. But women have so many avenues open. In the same way, a trans woman or a hijra should have that many doors open. If later on she chooses sex work, that's fine. But she shouldn't have to choose sex work because all the other doors are closed. Every hijra or trans person is not a sex worker. We need our own respect. And whoever chooses sex work after having all doors open, I really respect that.
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
This site uses cookies to ensure you get the best experience. More info...
Got it!