A Quote by Anu Malik

You can't write off Prakash Mehra and Manmohan Desai hits. — © Anu Malik
You can't write off Prakash Mehra and Manmohan Desai hits.

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Manmohan Desai's films pack a lot of joy and have a child-like quality and you can see the director is having fun, but my movies don't suspend disbelief that much. But it's good to be compared to Manmohan Desai. He was run down by critics in his time.
I think 'Main Hoon Na' is like the comeback of a Manmohan Desai film. Farah Khan made you laugh, cry and dance.
Nagpur was a very small town. There was no exposure to different kinds of films or world cinema. Only Manmohan Desai films.
We are lucky to have Manmohan Singh as our Prime Minister. We could not have done without a person and leader of the choice as Manmohan Singh, who gets all international attention.
People know me as Prakash Rai in Karnataka. Let it be so. But I'm known as Prakash Raj to the rest of India and abroad. Every actor worth his salt gets a name after coming to films.
I really write emotionally so whatever mood I'm in, or if a chord hits me a certain way that's what I'll go off of.
That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.
Everybody can't come to New York and take the hits, take the hits of the city, take the hits of the media, take the hits of the fans. It's real.
You go to any Jay-Z concert, and he plays his hits. Comedians don't have hits. You have to have a whole brand-new hour. You have no hits to rely on. It's the hardest thing.
Much has already been said about the indisputable integrity of men such as AB Bardhan and Prakash Karat. So, why is it that while the sleaze and slime of the political underbelly puts us off, we aren't warmed by the relative virtue and scrubbed-clean morality of the Marxists?
I don't write hits for myself, or for other artists, or to just be writing it. I write it because I was born to do this. I was given this gift and I'm making the most of my opportunity.
So whenever Marnus Labuschagne steps out, he hits the ball over cow corner for an offspinner, or he hits it over mid-off. It's very rare through long-on. And he doesn't have a flat sweep, he has a lap sweep, like a paddle.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
There will always be economic pressure to make hits, identify hits, and then exploit hits. And you're going to exploit them with as many episodes as you probably can.
I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.
I don't just write hits for myself, or for other artists, or to just be writing it. I write it because I was born to do this. I was given this gift, and I'm making the most of my opportunity.
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