A Quote by Anuj

A person who can look inside into his soul sees then with his vision one and all standing outside around in support to him that they are only as truthful and trustworthy to him as he to all others.
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
This is the gist of all worship: to be pure and to do good to others. He who sees Shiva in the poor, in the weak, and in the diseased, really worships Shiva. And if he sees Shiva only in the image, his worship is but preliminary. He who has served and helped one poor man seeing Shiva in him, without thinking of his caste or creed or race or anything, with him Shiva is more pleased than with the man who sees Him only in temples
The love of a wife to her husband may begin from the supply of her necessities, but afterwards she may also love his person: so the soul first loves Christ for salvation, but when it is brought to him, and finds what sweetness there is in him, then the soul loves him for himself, and esteems his person, as well as rejoices in his benefits.
The artist should paint not only what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also refrain from painting that which he sees before him. Otherwise, his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
We are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul.
The novelist is required to open his eyes on the world around him and look. If what he sees is not highly edifying, he is still required to look. Then he is required to reproduce, with words, what he sees.
The Landlord is a gentleman who does not earn his wealth. He has a host of agents and clerks that receive for him. He does not even take the trouble to spend his wealth. He has a host of people around him to do the actual spending. He never sees it until he comes to enjoy it. His sole function, his chief pride, is the stately consumption of wealth produced by others.
A person who is worried about the outcome of his work does not see his goal; he sees only his opposition and the obstacles before him.
Obama hasn't lost his standing because of tricks played by the Republicans. He hasn't lost his standing because the media's not fair to him. He hasn't lost his standing or his approval number because the media spent four years attacking him like they did George W. Bush. This is all on him.
The man who perceives life only with his eye, his ear, his hand, and his tongue, is but little higher than the ox or an intelligent dog; but he who has imagination sees things around and above him, as the angels see them.
If a person finds the negative people in his network, then he needs to mind or mend his own nature than others for his basic grounding decides only the level of acidic or toxic surrounding for him.
In the opening chapters of the Book of Revelation the Apostle John tells us how on the Isle of Patmos he was given an awesome vision of the Lord Jesus, risen from the dead. Then John says, 'When I saw Him, I fell at His feet as dead.' He tells us not only the vision itself, but the profound effect it had on him. It utterly prostrated him before the Lord until He came and laid His right hand on him and said 'Fear not.'
The citizen who thinks he sees that the commonwealth's political clothes are worn out, and yet holds his peace and does not agitate for a new suit, is disloyal, he is a traitor. That he may be the only one who thinks he sees this decay, does not excuse him: it is his duty to agitate anyway, and it is the duty of others to vote him down if they do not see the matter as he does.
From the root, the sap rises up into the artist, flows through him, flows to his eye. Overwhelmed and activated by the force of the current, he conveys his vision into his work. And yet, standing at his appointed place as the trunk of the tree, he does nothing other than gather and pass on what rises from the depths. He neither serves nor commands he transmits. His position is humble. And the beauty at the crown is not his own; it has merely passed through him.
When the family has been brought into its natural order, the individual can leave it behind him while still feeling the strength of his family supporting him. Only when the connection to his family is acknowledged, and the person's responsibility seen clearly and then distributed, can the individual feel unburdened and go about his personal affairs without anything from the past weighing him down or holding him back.
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