A Quote by Anupam Kher
In India, film sets are like a family atmosphere.
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I come from an everyday middle class family in India. The film industry reached us only through our television sets and cinema halls.
When we make a comedy film, its important to have a light atmosphere on the sets so that the mood reflects in the film.
It can take a long time for some people to find out how to ground themselves, and film sets are an odd atmosphere to do it in - especially if, like me, you finished school early.
That's just my family's mentality. We are a very loving, hugging and kissing kind of family. And we grew up in a church atmosphere and still have that atmosphere. There is no negativity.
I was fascinated by my parents as I would visit them on the sets. Since we were a nuclear family I always accompanied my parents to their shoots and I liked the atmosphere there.
Film is a much lonelier process than theatre. You really don't have any rehearsal time in film. You don't shape it together... with theatre, there is a complete kind of family atmosphere. The sociable side of this business is the theatrical side, it really isn't the film side.
I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.
When I work on films, I like to be involved from as early as possible. I think this is really good and beneficial in terms of absorbing the atmosphere of the film and for the music to become a part of the DNA of the film.
When I wrote 'Monsoon,' I always imagined the music video being shot in India. The song had so much to do with my time in India with my mother as well as leaving her in India during the monsoon season to visit my family in N.Y. It really was a dream come true when I was given the opportunity to shoot in India.
Voice work is usually not that big of a time commitment. You can go in for a couple of days or a couple of months, here and there, and just go in and play. I like being able to do that. You don't have that luxury on film sets or television sets.
When you're dealing with Hollywood people, it creates a tight, tense atmosphere through the whole thing. And I don't like to work in that kind of atmosphere. I like to make my movies in a kind of relaxed atmosphere.
I would accompany my dad to his film's sets. I especially remember going with him on the sets of 'Vijaypath.'
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
When I became a novice monk, I lived in a temple where the atmosphere was quite like in a family. The abbot is like a father and other monks are like your big brothers, your small, younger brothers. It is a kind of family.
When I was twenty, and my family were business people, and I had disappeared to India and they were like, "What are you doing?" I had a good relationship with them, and it wasn't like a rejection or anything, but they couldn't understand why I was going to India.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
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