A Quote by Anupam Kher
I had spent many days hungry; had slept on railway stations at times because I did not have money to pay for a hotel room... there were moments when I felt I had compromised my dignity as a human being and as an actor.
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I only ever did one hotel room because at the end of the tour, I had a little less money than the rest of the guys, and the tour manager said, 'You remember that hotel room you destroyed in Iowa? Well, we had to pay for it.' And I was like, 'Ooooh. That's how it works.'
Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris, I fledged in San Francisco, climbed its hills. slept in its parks, worked on its docks, marched and shouted in its revolts~ It had been to me in the days of my poverty and it did not resent my temporary solvency.
Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.
Alexia had spent long hours wondering over that mustache. Werewolves did not grow hair, as they did not age. Where had it come from? Had he always had it? For how many centuries had his poor abused upper lip labored under the burden of such vegetation?
I've had days here and there where I would get discouraged because I wasn't a big star, but I've made a living ever since I was 27. Not a great living, but enough for me. I think actually being able to pay my rent and eat and perform is enough, and I did that for many years. Then I had some good years in there, too, where I made pretty good money.
In those days, in 80th, people were really hungry for information - and, somehow, I had pretty good access because I had friends in London, New York, Los Angeles, everywhere. I'd been visiting many places and talking with people, so I had a constant flow of new info. I sometimes did articles for magazines and things, and people started to say, "If you want to know what's going on, ask Hiroshi." So that was the beginning with Goodenough.
There were many times in my initial days as a writer when I had felt the need to talk to someone, to leverage on someone's experience, to learn from someone who had written and published a book.
There were times where I felt I was pressing a little bit too hard with the humor, and I had to pull back, because the overriding concern of the book was to create this disease that had no cure and make you pay attention to every emotional stage of what happens.
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
If you got up this morning and had fruits for breakfast, it was probably picked by the bent back of an immigrant worker. If you slept in a hotel or motel of the nation, you probably had your room done by an immigrant worker.
From 1994 to 1997, I did nothing. I slept and slept and slept. If I was awake, I had to deal with things, I had to do things. In order to avoid that, I would just stay in bed.
I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time… there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.
I had to make a living. I had the mortgage to pay, I had the school fees to pay. I had bread and butter to put on the table. You know your worth as an actor, but you have to get a job.
The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'
I've had moments in my career when I've made more money and had more success than at other times, but I've realized being happy has very little to do with any of that.
Many Anglo-Indians who had lived through the last days of the Raj were old, and I felt it was important to meet them and record their memories of what life had been like for them under the British and how it had changed after India's independence.
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