A Quote by Anupam Kher
I am aware that as an actor, I can blame others for the failure of a film, the director, the script, choice of co-stars, timing of the release and so on. But now, as the director, I will have to shoulder all the blame.
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We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
The director does not have anyone to blame but himself. He or she cannot hide behind anybody. If a film is a hit, everyone gets the credit, but if it flops, only the director can be blamed.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
You can have an amazing director and terrible script, and the film's not going to be great. But if you have the most incredible script and an okay director, you could still get a really good film.
They are self-loathing people, these leftists. I can't imagine what it would be like to get up and live their life every day. To have to be mad all the time, at everybody else, knowing full well you are a failure and having the inability to do anything about it because you will not look at yourself. You gotta blame George W. Bush or you gotta blame corporations, or you have to blame somebody. Blame talk radio.
I don't blame any director for wanting to do something more commercial. That's all part of the business. I certainly have done it, as an actor.
All my life they had made choices for me, and I had resented it. Now the choice was mine, and once it was made, I would have no right to blame anyone else for the consequences. Loss of that privilege, to blame others, unexpectedly stung.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
I am happy film stars are singing in their films. I hope to work as a music director for a film where actors will sing all the songs.
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
An ignorant person is inclined to blame others for his own misfortune. To blame oneself is proof of progress. But the wise man never has to blame another or himself.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
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