A Quote by Anupam Roy

See, I have two selves in me - a musician and a composer. — © Anupam Roy
See, I have two selves in me - a musician and a composer.
I had a musician friend once tell me that it's not in the orchestra that you get the true test of the musicians but in the little trios and quintets where you really get to see if they've got the stuff. And the composer.
Yes, for me audio-visual performance has its roots in my experience working as an improvising musician and composer.
There's still a lot I need to do as a player, as a musician, as a sound creator. I have commissioned 170 pieces: that's still not enough, there are still lots and lots of composers I would like to approach. When I see a composer and I see a performer, I think to combine those forces.
Pablo Casals is a great musician in all he does: a cellist without equal, and extraordinary conductor and composer with something to say. I have been profoundly impressed by all I have heard of his work, but he is a musician of this stature because he is also a great man.
I prefer the word 'musician.' I'm a musician and a composer. I have a problem with the word 'artist.' I don't know if it's the same in English, but words like 'artist' and 'star' put people on a pedestal, which is not really good for my brain.
Being a classical musician, you can go to school for it; you can go get a degree. Even as a composer, there is a certain career path you can follow, but becoming a rock musician is a much more elusive career. How do you learn that or do that?
In love, for example - the so-called love - we are 'related.' We appear to be related. We create the fallacy of a relationship, but in fact we are just deceiving ourselves. The two will remain two. Howsoever near, the two will remain two. Even in sexual communion they will be two. This two-ness, this duality will never last. So a relationship is only creating a fallacious oneness. It is not there. Oneness can never exist between two selves. Oneness can only exist between two no-selves.
Argo' was a very exciting project for me because I knew that I could mix together influences from my youth as a young musician and a young composer.
Once in a while, a teacher gets rewarded with a brilliant student. My two years with Dan Szabo at the New England Conservatory were indeed a gift -- he is a pianist with unlimited potential and a composer that makes my heart sing. I deeply feel that he is an important musician for the coming years.
Phrasing is the idea of finding sentences and using punctuation in speech. I often look at the score to see what's written in by the composer to see if I can find clues to those directions, like what direction did the composer have in mind, and I try to incorporate those things as much as possible.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
I also had a brother who was like me a musician and a composer. A man of great talent, far more gifted than I. He died very young... he killed himself in the prime of his life.
He's not a performer, he's not a composer, he's not even a musician, but Norman Granz is Mr. Jazz.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
See, as a music composer, I am not competing with any music composer.
I actually was a musician in college, a composer and singer, and really intended to be the second coming of Leonard Bernstein when I got out.
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