A Quote by Anupama Parameswaran
I had been getting several Kannada film offers ever since 'Premam.' While a few of them did excited me as the roles I was offered were interesting, I couldn't be a part of them due to my previous and ongoing commitments.
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Frankly speaking, ever since my debut, I have been offered cop roles. However, I never felt confident about pulling them off, probably due to my short physique or the absence of the required traits in me.
I was getting offers. I had just turned them down. Then I realized I should be grateful that at age 54, people were still offering me film roles.
I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.
I am not getting many offers in Mollywood, which is not the case in other film industries. And of the roles that are offered to me, I choose only the best.
I know that it has been a long time since 'Punda,' my first Kannada film, released, but I was determined to wait for a good subject for my next film in Kannada.
I've grown up in the film industry and I've been watching them, analyzing them, laughing at them, totally understanding them and getting their point of view, and, at times, taking up for them. So I'm part of it and it's part of me.
'Buguri' is a romantic film, and I play Ganesh's love interest. Initially, I had just hoped to do one Kannada film since I'm a Kannadiga. Now, I'm even learning to converse in Kannada.
We figured the interesting question for them is, "Where has the family been since 2006, since the last time we saw them?" So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012.
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
When I was growing up in the '50s, I had never heard of a "woman film director," so I did not consider it as an option. But I was fortunate that in the late-'60s and '70s, because of the feminist movement, women were stepping into all sorts of careers that had been closed to them in the past and film was one of them.
Soon after 'Paruthiveeran' I was flooded with scripts that were almost the same as the award-winning film. I had offers from Malyalam, Telugu and Kannada filmmakers. But I had to be firm and in fact I realized that now I had to be more careful with my choice of films because I have raised the audience expectations.
I have never been someone who chooses a film according to the language. Since I am comfortable with Tamil, Kannada and Malayalam, the scope of the film is all that matters to me.
I think you're stereotyped after every film. Post 'Dev D,' I was only offered bold roles. Similarly, after 'Margarita With A Straw,' I was offered roles where I had to play differently-abled people. So, no matter what type of film you work in, people tend to slot you.
There's always a Justin Bieber. Ever since I've been around, there's always been one of him. You know, you can trace it back from how old you are and the boy bands that came along then and the teen sensations and whatnot. And, you know, good for them. There's a few of them that make it out and a few of them that don't.
It's so funny because the roles that I've been offered in the indie film world have been similar to each other, and the roles that I've been offered in the TV world have been similar to each other, but the TV roles and the indie film roles have been completely different.
I keep getting many offers for TV soap operas, and strangely a lot of them are mythological. None seem to be interesting enough or have the budgets that would convince me to accept them.
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