A Quote by Anupriya Goenka

During theatre, I had never faced problems with my lines and I was very proud of myself. — © Anupriya Goenka
During theatre, I had never faced problems with my lines and I was very proud of myself.
I had to find the courage to share not only myself but my art with the world. I faced fear, and I went for it. I wasn't a failure, and I'm very proud of myself.
Lines drawn into his face suggested he had spent many years thinking very hard over very difficult problems.
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
It might not be perfect, but the fundamental stance I adopted with regard to my home was to accept it, problems and all, because it was something I myself had chosen. If it had problems, these were almost certainly problems that had originated within me.
I found that I faced a highly complex situation, and that I couldnt hope to change it until I had armed myself with the necessary psychological and intellectual capacity. My contemplation of life and human nature in that secluded place had taught me that he who cannot change the very fabric of his thought will never be able to change reality, and will never, therefore, make any process.
As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
Up to now we have faced external problems in an isolated fashion. One of these problems is precisely the drug trade and what has been the result? A very weak and fragile position.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
I don't want to sound like I'm bragging, but I'm very proud of this: I moved to L.A. in October of 1997, but I never had a survival job in L.A. I was able to support myself with acting from the moment I got to town.
Tell me one industry where there are no problems. Whatever problems are there are similar to the problems faced elsewhere.
I grew up in a very culturally diverse area of America, and I am very proud to come from there. I am also proud that my inner circle of friends has never been defined by race but by the content of their character. Any former teammate or anyone who has met me can attest to this, and I pride myself on not being a judgmental person.
If I had ever really 'faced the facts' about myself, I never would have reached for even a zillionth of what I've managed to accomplish.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
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