A Quote by Anushka Sharma
Tell me one director who will go on record to say that I don't get along with them? I get along famously with all my directors because I am what I am today because of them.
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One of the great things about humor is, you can slip things past people with humor, you can use it as a sweetener. So you can actually tell them things, give them messages, get terribly, terribly serious and terribly, terribly dark, and because there are jokes in there, they'll go along with you, and they'll travel a lot further along with you than they would otherwise.
I want my daughters to see me and know me as a woman who works. I want that example set for them... I am a better mother for it. The woman I am because I get to run Shondaland, because I get write all day, because I get to spend my days making things up, that woman is a better person - and a better mother. Because that woman is happy. That woman is fulfilled. That woman is whole. I wouldn't want them to know the me who didn't get to do this all day long. I wouldn't want them to know the me who wasn't doing.
I was in Moscow and I will tell you - you can get along with those people and get along with them well. You can make deals with those people. Obama can't.
There are some with whom we may study in common, but we shall find them unable to go along with us to principles. Perhaps we may go on with them to principles, but we shall find them unable to get established in those along with us. Or if we may get so established along with them, we shall find them unable to weigh occurring events along with us.
Some women say as they get older they're no longer noticed: they disappear. Men, for instance, don't see them. Nobody wants them. That doesn't happen to me because of who I am. Not because I'm any more scintillating company, but because I'm Ruth Rendell.
If people want go-along, get-along politics, I am not their guy.
Why do we tell stories? It's because we want to connect to people, we want to tell them who we are, we want to tell them a story that affects us, that impacts us. And to help a young filmmaker doing a short or independent film is my testament, I think, is my desire to really make sure that our younger generations get passed along all the elders' experience and to literally have the image - to literally carry them on their shoulders and say, 'This is what the world is. This is how the world operates. Let me show you how.'
I am a fighter. I'm not just there to go along and get along.
I would say I am viewed as the oldest teenager in my family because they say I never grow old. I mean, I am stern in my own way - I am not one to let children run over me - but I am very, very good with children, and I can usually get what I want out of them.
I was mostly bullied by my classmates. People would come up to me and say, 'You're so dark.' I'd always fight back by calling out one of their insecurities, like, 'Well, you have a big nose.' Today, I'd tell them that I really love them. I'd thank them because they made me realize how unique I am.
I don't worry too much about what people think about my image, but I think I am pretty polite. My colleagues say I am a gentleman in my dealings with them, even when I disagree. I am difficult because I won't back off on things like the pay raise and the anti-terrorism bill. I'm not a go-along kind of guy. I do respect the institution. I do respect my colleagues. But I didn't go to Washington to make friends. That's not where my friends are.
We are the silver people, the Mongols. When they ask, tell them there are no tribes. Tell them I am khan of the sea of grass, and they will know me by that name, as Genghis. Yes, tell them that. Tell them that I am Genghis and I will ride.
Cedric, man, it's like if I'm working with you, like I'm sitting here now talking to you, I want to get along with you. That's how I am. I feel like if I get along with you, the work will be splendid.
The emotions will take care of themselves. You don't have to prod them along. As a matter of fact, you get in trouble when you prod them along.
I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.
When you do a film, when you do a television show, eventually someone comes along and will say to you, 'Don't say that because, one, you will offend someone, or, two, no one will get that. Someone's going to be confused by that, not get the reference and feel abandoned, and then they will get angry at the entertainment.'
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