A Quote by Anushka Sharma
I feel that's a good thing as an actor that you do not feel satisfied. Whenever I go back and watch myself on screen, I find multiple reasons to redo that scene. That's an occupational hazard that most actors face. You can never come to terms with it.
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I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
I struggle to watch myself in any scene, to be honest. What's done is done. I wish I was able to watch myself, as it would really help me develop as an actor. But I'm not brave enough. It's a difficult thing to do - looking at yourself as this utterly different person on a screen.
Actors always feel more comfortable when there's an actor directing, in terms of vocabulary and breaking down a scene.
I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
When you are an actor, rejection and disappointment are an occupational hazard.
A lot of directors on a base level are fearful of actors and maybe even distrustful. I love the craft of acting and I love actors so I think they can probably sense that. They also know that I understand what their process is, having done it myself. The thing I come back to over and over again is that for most people who are not analyzing it from a critical point of view, most iconic film moments are actor moments. We show up to commune with another human being and their experience. We don't show up necessarily to watch a really cool dolly shot.
Never let your actors go before they are satisfied with a scene.
In terms of animation, animators are actors as well. They are fantastic actors. They have to draw from how they feel emotionally about the beat of a scene that they're working on. They work collaboratively.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
I've got to find a compromise where I don't feel compromised. I've got to find something equally good that they don't feel uncomfortable with. At a certain point, it's no longer about what I thought was right, but it's about this new discovery that happens with the actors. It's nice when the actor is also a writer.
It's no good in a scene to have one actor lie down because the scene says it's the other actor's moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment.
I have never watched property programmes. I watch Property Ladder, because I feel it's very rude for a director to work very hard on a programme and you can't be bothered to even watch it. So I do watch it, but I have to turn away when I'm on screen. It's quite unpleasant seeing myself up there.
"There's little value in seeking to find reasons for why people do what they do, or feel the way they feel. Hatred is a most pernicious thing, finding root in any kind of soil. It feeds on itself." "With words."
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
I do have to take care of myself, not only because I'm in the movies, just for mental health reasons. I exercise for me. You know, maybe it would be nice to not have to do that in order to feel good, but I do. I feel like I have to, to feel good. To clear my head and all of that, so.
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