When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
Any actor will want his 100th film to be a commercial film, the biggest movie of his career.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
My mom had an audition for a commercial when I was about two and a half, and I ran in crying and interrupted her. They thought I was cute so they offered me a commercial role. My mom was skeptical and a bit nervous about the child actor thing, but I was extremely bossy and convinced them I wanted to try it.
I have children, so I'm constantly worrying about the world they are going to inherit.
Tampons. I’m constantly worrying about my stash and if I’ll be able to find more.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
I used to be more paranoid and stressed, constantly worrying about my Plan B. But the truth is I don't have one.
What is a commercial film? I think every film is commercial, as every film makes money.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
There is nothing bad about this job. Comedians have nothing to complain about. That doesn't mean I'm not constantly moaning and worrying.
I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.