A Quote by Anushka Shetty

No one can force you to do a film. I am responsible for the films I chose, hit or flop. I am where I am because of what those films taught me. — © Anushka Shetty
No one can force you to do a film. I am responsible for the films I chose, hit or flop. I am where I am because of what those films taught me.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
It may seem that I am doing films in different languages, which of course I am, but more importantly, I am performing different characters and every character has so much to teach. It makes me happy that I am associated with so many film industries.
I am in the film industry because I am passionate of films.
I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
Hopefully, great science fiction films help you think about issues that relate to yourself, whether it's: What's my purpose? Why am I here? What is it that makes me who I am? Those are the kind of questions my favorite science fiction films ask.
When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.
I am done with the cliched heroine roles. I can't go to work without a challenge. I want to do films that drive me, films in which I am a part of the main plot.
I am very emotional, and I get really upset when any of my films flop. I also get hurt over silly things. That is the way I am; I can't help it.
According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.
I'm a Lebanese woman who directs films. That's not it at all. I am not really a woman nor am I really an Arab. Because I am not an apologist for women, nor of sentimental "world" films.
I am so secure in who I am. I really am! And I'm not conceited. I just think, 'Wow, okay, that's the life you want to live.' It wasn't about who he chose. I mean, I had moments, 'Am I not sexy enough? Am I not pretty enough? Am I not smart enough?' But in so many of those questions, I immediately stopped and said, 'No, don't start doing that.' Because you can get stuck in that cycle and you can carry on to other things.
I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
I am incapable of directing a film like 'Agneenath.' I can do only what I am good at, so I would have been the worst choice to direct it. It has aggression, action and an inherent violence in it - things I am not capable of directing in my films.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
I can never take a break from Telugu films, because they have given me a lot of recognition. No matter how busy I am or the number of films that I do elsewhere, I always keep my schedule free for at least two to three films in Telugu.
It has been a fairy tale for an outsider, bouncing from one film set to another, choosing my films as assertively as those films chose me. And through this journey I have not once faced the dreaded syndrome of the 'casting couch.'
This site uses cookies to ensure you get the best experience. More info...
Got it!