A Quote by Anushka Shetty

Once the makeup is on, it is easy to enter the character's frame of mind. — © Anushka Shetty
Once the makeup is on, it is easy to enter the character's frame of mind.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I like to enter my characters through a physical form first. The first thing I find is the regime of the character - when he wakes up tomorrow, what activities does this person engage in - that's my entry point. Once I get that, then it becomes easy for me.
Sometimes when a character in a novel is difficult for me to enter, I sue something in myself or in my own life as a doorway into that character's mind and emotions.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
As Aristotle said, happiness is not a condition that is produced or stands on its own; rather, it is a frame of mind that accompanies an activity. But another frame of mind comes first. It is a steely determination to do well.
Genres give a vocabulary. They give a frame of reference for the audience to enter into a movie. Then, once they have their footing, that's when you can start doing things that they don't expect.
Regardless of how dark and heavy the character is the actor has to approach it with that frame of mind.
It is easy to be a slave to the letter, and difficult to enter into the spirit; easy to obey a number of outward rules, difficult to enter intelligently and self-sacrificingly into the will of God.
Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.
Writing a song is about inhabiting a specific frame of mind and conjuring a mood, a character, an entire vision.
The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.
A positive frame of mind will definitely enhance your travelling experience. If I'm not in a positive frame of mind then the whole thing definitely becomes more of a challenge for me.
The more you frame the marathon as a stressful experience, the more negative messages you'll receive. But it's just as easy to frame it as a positively challenging journey.
Accents are very easy for me. With me, it's clothing and makeup and hair and all that stuff that inform how the character moves and feels.
Once you start thinking about it in a mercenary frame of mind, then you're finished. You're a joke, because there are too many mercenaries out there already.
In the theater, I've found that, in general, reaction and laughter come easier at an evening performance, when the audience is more inclined to forget its troubles. Matinee customers must enter the theatre in a more matter-of-fact frame of mind, hanging on tightly before they let themselves go.
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