A Quote by Anushka Shetty
I laugh a lot, especially between shots, and it's tough for me to control. There have been so many instances where my director had to request me to stop laughing and come into the mood of the scene.
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One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.
How it works for me is that a scene comes to mind, usually a scene between the hero and heroine, that depicts the emotional conflict. From that scene, the characters come alive for me. I don't do a lot of preplanning in any way when I write.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.
I had no cares. I was one of those kids: ‘If you laugh at me, laugh at me.’ I don’t have that censor, which is important in this business because you’re constantly told: ‘Gosh, you didn’t look very good. You don’t look pretty in that scene, or you didn’t do that right, or you’d look so much better if your hair looked lighter.’ You really have to have tough skin or you’d end up like a heaping, crying mess all the time.
It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.
In fact, I get angry when people laugh at me. I go to the airport and the ground hostess starts laughing at me when she sees me. I get irritated and ask them if I just did some comedy for them to laugh like that. But then I apologise because I know they must have remembered some movie scene that I did.
There are a lot of actresses who can wear their Uggs during a scene, and I only do that if they make me do that - like if I'm working with a shorter man and they request me to take off my shoes.
I love creating characters that are ridiculous and flawed. To me, the most important thing about comedy is the joy it can bring to the performers and the audience alike. I love making people laugh and not over-thinking things. Some of my favorite moments are when I am doing an improv scene with friends, and I can't stop laughing during it.
[As a kid] I did enjoy making people laugh but I was also attracted to funny people. I'm [still] quite happy to not be the one trying to make other people laugh. I'm happy laughing at someone else. I enjoy laughing and I'll happily be the one just laughing all night if you can make me laugh.
When people laugh at me, they are not laughing in the way that they normally would at a comedian. They are laughing with relief, because the truth has been spoken, and political correctness has not strangled this particular gigastar.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.
I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.
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