A Quote by Anushka Shetty

I select good scripts, and every role is an opportunity to enhance my histrionic skills. — © Anushka Shetty
I select good scripts, and every role is an opportunity to enhance my histrionic skills.
America is the land of opportunity. We need to be vigilant in ensuring that each and every American has the opportunity to acquire the skills to compete and to see those skills rewarded in the marketplace.
The lack of opportunity is ever the excuse of a weak, vacillating mind. Opportunities! Every life is full of them. Every newspaper article is an opportunity. Every client is an opportunity. Every sermon is an opportunity. Every business transaction is an opportunity, an opportunity to be polite, an opportunity to be manly, an opportunity to be honest, an opportunity to make friends.
You have choice. You can select joy over despair. You can select happiness over tears. You can select action over apathy. You can select growth over stagnation. You can select you. And you can select life. And it's time that people tell you you're not at the mercy of forces greater than yourself. You are, indeed, the greatest force for you.
I don't even have any good skills. You know like nunchuck skills, bow hunting skills, computer hacking skills. Girls only want boyfriends who have great skills!
The way that I see Christianity is that its role is to enhance the life of every person.
I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character.
As an actor, every opportunity, every role, everything that I do is an opportunity to have someone have a human experience with my work. I don't just want it to be about a cute wardrobe and a high paycheck.
There is a perception that I do certain kind of films. That's not true. I am open to any good scripts with a good role.
If my fans only want me to do a certain kind of films, then 'Naanaku Prematho' would have failed miserably. They've entrusted me with the freedom to select good and different scripts.
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
Every time I get a role, or the opportunity to explore a role, I look at it, and I think, 'What is the story we're trying to tell here?'
We need visions of a future in which we have applied our infinite creativity to the task of living on a finite world, where we have embraced our role, become comfortable and proficient as planet-shapers, and learned to use our technological skills to enhance the survival prospects not just of humanity but of all life on Earth.
The bikini scenes in 'Billa' were vital because they showed me as a seductress. I'd like to say here that outfits define a character and help an actor, say, 30 per cent, the rest depends on one's histrionic skills.
I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.
It was a role [Dean Sanderson] I hadn't seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
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