A Quote by Anushka Shetty

My priority will always be my performance more than anything associated with a film. I always look forward to give my best to the character I play on screen. — © Anushka Shetty
My priority will always be my performance more than anything associated with a film. I always look forward to give my best to the character I play on screen.
I always give weightage to performance more than the length of my character. That has always been my criteria for signing a film.
I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.
I don't need any crutches in order to concentrate. As a child I learned that you must be ready because I'd be yelled at more than other people and it would always be my fault. I learned that to be professional is your number-one priority. The art comes second. You learn that, in order to give your best performance, you have to be a good technician, which means never allowing negative influences affect your performance.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
You have to give your best as you can't guarantee the success of your film, but you can always give a good performance.
(1) Never give anything away for nothing. (2) Never give more than you have to give (always catch the buyer hungry and always make him wait). (3) Always take everything back if you possibly can.
I always believe that if we Hindus are like milk, Punjabis, Sikhs are the butter, the best part of that milk. Brought up with that kind of respect for Punjabis, I always desired to play a true Sikh character on screen someday.
I'm a racer at heart more than anything else, and that will always be my priority: competing. But ultimately, if you can't drive, you can still have the competitive spirit outside of a car.
A lot of times, in film and TV, they just want you to play yourself. But, when you're someone who's more of a character actor, you get to experience what it feels like to play a bunch of different kinds of people. I find it more invigorating than challenging. I definitely trust the writers to give me the material that I will take and turn into the person that I'm playing.
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
I'll tell you, in making film, especially when you're an actress, you're always worried about how you look on film, how they light you, always working with your camera people to be at your best, with the expectations of our culture that you always look perfect and beautiful and whatever.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
It becomes more and more popular to call actors who play characters "character actors." But I've always been somebody who is much more invested in who I am playing than how they look.
When we watch a film as actors, you have to understand that we always see much more than what's on screen.
I think a lot of things have become associated with the Right. For example, an unapologetic commitment to progress and modernity is now almost always associated with neo-conservatism whereas it traditionally used to be associated with left-wing thinking and moving society forward.
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