A Quote by Anushka Shetty

All the excitement is during the making of a film. Once I'm done with it, I switch to my next project and am excited about that. — © Anushka Shetty
All the excitement is during the making of a film. Once I'm done with it, I switch to my next project and am excited about that.
If I am not excited about a project, then how do I expect my audience to watch my film? Give me good roles, and I will be working round the clock.
We are so excited for what's next. I think that's what I love most about it, the energy and the excitement that comes from that.
Revival is not just a feeling of excitement of the Lord. We get excited about many things, but excitement is not a revival if God is not the thing that gets us excited.
I turn a switch on to socialise on the red carpet, and then switch it off once I'm done.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Once I am done with the film, I don't worry about how many centres the film has released, what are the BO records, etc. As I have no knowledge of such things, feeling the pressure doesn't arise.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
I have learned so much making first collection that I am excited to use all of it towards making the next one even better! It's been an amazing learning curve and experience.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
Think excitement, talk excitement, act out excitement, and you are bound to become an excited person.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
It's not a great feeling for a film to suffer financially, but you can't sit and mope about it. You just have to just move on to next project - I try to always be working on a new project when my last one hits the theaters.
The rule I have when choosing films is the excitement factor, I need to feel excited about the story and whatever message the film has - only then do I sign on the dotted line.
I don't read the reviews because it somewhere affects my work. If some critic doesn't like a movie, I can't keep his criticisms in mind the next time I am making a film. Even if someone writes a great review about my film, I don't want to be affected by it.
I've done TV and I've done film, and I'm not snobby about it. It's about the project.
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