A Quote by Anwar Sadat

I was brought up to believe that how I saw myself was more important than how others saw me. — © Anwar Sadat
I was brought up to believe that how I saw myself was more important than how others saw me.
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
I saw more clearly than ever, that the first great and primary business to which I ought to attend every day was, to have my soul happy in the Lord. The first thing to be concerned about was not, how much I might serve the Lord, how I might glorify the Lord; but how I might get my soul into a happy state, and how my inner man may be nourished...I saw that the most important thing I had to do was to give myself to the reading of the Word of God and to meditation on it.
I was there. I saw your sons and your husbands, your brothers and your sweethearts. I saw how they worked, played, fought, and lived. I saw some of them die. I saw more courage, more good humor in the face of discomfort, more love in an era of hate and more devotion to duty than could exist under tyranny.
Did you know I started out as a stand-up comic? People don't believe me when I tell them. That's how I saw myself, in comedy.
Football is important, but my family and faith are also important, and no matter how good a football player I am, I knew I still needed to be a good member of the church. Having that spiritual connection helped me throughout the season. It brought balance. I felt better about myself and saw improvements in all aspects of my life.
Actually, when John died, for the first time I thought - for the first time I realized how old I was, because I'd always thought of myself - when John was alive I saw myself through his eyes and he saw me as how old I was when we got married - and so when he died I kind of looked at myself in a different way. And this has kept on since then. The yellow corvette. When I gave up the yellow corvette, I literally gave up on it, I turned it in on a Volvo station wagon.
I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.
All the kids - well, I don't know about the girls in the family, but all the boys - worked in my grandfather's office in the summers and maybe on weekends once in a while, so they saw how he operated. They saw how he treated people. They saw the kinds of people he rubbed elbows with.
We went to the New York World's Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors. And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.
My only surprise when I saw Thanos up on the screen was how violet he was. I always saw his exposed hide as being more grayish violet.
It's more important to me to get an e-mail that says, 'I saw your page and it changed my life,' than how many hits the page got.
I saw also the relationship between the two popes I saw how baleful (evil; harmful) would be the consequences of this false church. I saw it increase in size; heretics of every kind came into the city (of Rome) Once more I saw the Church of Peter was undermined by a plan evolved by the secret sect (Masonry), while storms were damaging it.
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
My idol was Terry Bradshaw, but my role model was my father because I saw how much he worked and how much he focused on his trade. I was brought up the right way.
It certainly woke me up to how vulnerable we all are. I think I was much more cavalier about it before I started working on the movie [Edward Snowden], and then the more I read the documents themselves and saw just how sweeping and indiscriminate the intrusions into our privacy have been, it made me more aware.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
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