A Quote by Anya Chalotra

For everyone else who aren't fantasy fans or who don't know anything about 'The Witcher', this is something that we can experience together because it's drawn from the novels, but there is so much within the novels that we have developed.
I didn't know anything about 'The Witcher' novels or the games, before I auditioned.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
Novels with a "thesis" don't interest me. They just don't - novels that want to "show" something, that want to "argue" something specific. I don't read novels that are looking to convince me of anything.
I was someone who really loved fantasy novels and science fiction novels.
My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
My novels are very much the same, as I think many people's novels are. No matter how hard I try to do otherwise, the books always wind up being "a group of strangers are thrown together by circumstance and form a society."
When I started reading George R.R. Martin's 'A Song of Ice and Fire' novels, it was the late 1990s and obsessing over fantasy novels was (if painful memory serves) a super-nerdy thing to do.
All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.
The difference does not lie in the things that news does that novels do not do, but in the things that novels do that news cannot do. In other words, this basic technique of news - just one among many - is something a novel can use, but a novel can deploy a multitude of other techniques also. Novels are not bound by the rules of reportage. Far from it. They're predicated on delivering experience.
I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
I don't write novels about expeditions to the planet Mars because I haven't been there and I don't know anything about it.
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