A Quote by Anya Hindmarch
Often fear is the same emotion as excitement. It means you are breaking ground.
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The most often repeated commandment in the Bible is 'Do not fear.' It's in there over two hundred times. That means a couple of things, if you think about it. It means we are going to be afraid, and it means we shouldn't let fear boss us around. Before I realized we were supposed to fight fear, I thought of fear as a subtle suggestion in our subconscious designed to keep us safe, or more important, keep us from getting humiliated. And I guess it serves that purpose. But fear isn't only a guide to keep us safe; it's also a manipulative emotion that can trick us into living a boring life.
The only difference between fear and excitement is what we label it. The two are pretty much the same physiological/emotional reaction. With fear, we put a negative spin on it: "Oh no!" With excitement, we give it some positive english: "Oh, boy!"
I began to discriminate between fear and excitement. The two, though very close, are completely different. Fear is negative excitement, choking your imagination. Real excitement produces an energy that overcomes apprehension and makes you want to close in on your goal.
Very often, if you think about what's erotic and break it down, as we're feeling the excitement of eroticism, we're feeling fear. We want to try to dominate our fear and get rid of our fear, so we go towards it and have sex with it, basically. That's really sad.
Dogs need to sniff the ground; it's how they keep abreast of current events. The ground is a giant dog newspaper, containing all kinds of late-breaking dog news items, which, if they are especially urgent, are often continued in the next yard.
Anything that really frightens you may contain a clue to enlightenment. It may indicate to you how deeply you are attached to structure, whether mental, physical, or social. Attachment and resistance are appearances with the same root: when you resist by pulling away your awareness, the emotion is one of fear, and the contraction is experienced as a pull like magnetism or gravity; that is, attachment. That is why we often fear to open our minds to more exalted spiritual beings. We think fear is a signal to withdraw, when in fact it is a sign we are already withdrawing too much.
[Fear] means that we are human beings walking into the unknown, and that we are risking breaking with others for something we believe in.
'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.
The best ideas and the most useful and ground-breaking are often, though not always, in one sense, very simple ideas.
Think excitement, talk excitement, act out excitement, and you are bound to become an excited person. Life will take on a new nest, deeper interest and greater meaning. You can think, talk and act yourself into dullness or into monotony or into unhappiness. By the same process you can build up inspiration, excitement and surging depth of joy.
Beauty means this to one person, perhaps, and that to the other. And yet when any one of us has seen or heard or read that which to us is beautiful, we have known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting.
A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know.
Natural knowledge has not forgone emotion. It has simply taken for itself new ground of emotion, under impulsion from and in sacrifice to that one of its 'values', Truth.
With civilized men..., it is, I think, chiefly love of excitement which makes the populace applaud when war breaks out; the emotion is exactly the same as at a football match, although the results are sometimes somewhat more serious.
Always in the big woods when you leave familiar ground and step off alone into a new place there will be, along with the feelings of curiosity and excitement, a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into.
Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.
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