A Quote by Anya Seton

A woman with opinions had better develop a thick skin and a loud voice. — © Anya Seton
A woman with opinions had better develop a thick skin and a loud voice.
The reality of producing the Oscars is that it's a blood sport. With social media, everyone has a chance to voice their opinions. You have to know that entering into this special world requires a very thick skin.
Freud was the son of a Jewish merchant who had to move his whole family to Vienna because he couldn't get work. He, as a boy, had to watch his father be mocked and abused on the street for being Jewish... You develop a thick skin and you develop a certain kind of wit to defend yourself.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
We've had to develop a super-thick skin. We've been beaten up more than any band in history.
Dealing with negative comments is part of this job, and I've had to develop a thick skin, though some days it's easier than others.
You have to develop a very thick skin.
Develop a skin as thick as a rhinoceros hide!
In this business you have to develop a thick skin, but I'm always going to feel everything. It's my nature.
When you work in TV you have to develop a thick skin, and I have certainly grown used to criticism.
I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.
As an actor, you have to get used to being told no, develop a thick skin, and just keep persevering.
If your friend is critical [of your work], you have to have a very thick skin and a thick skin is something that only builds up after it's callused for awhile.
Having a thick skin doesn't mean that you're hard or harsh. I was lucky because I was born with a thick skin. That doesn't mean that things don't bother me, but you have to keep it in perspective.
You develop a thick skin. And once all the chips have been played, you make sure you're working on behalf of Arizona.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
When you live in the Philippines or a country like that, you develop something of a very thick skin because you're confronted every day with all of the problems all around you.
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