A Quote by Aphex Twin
A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.
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The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
By 'flat' I did not mean that the world is getting equal. I said that more people in more places can now compete, connect and collaborate with equal power and equal tools than ever before. That's why an Indian in Bangalore can take care of the office work of American doctors or read the X-rays of German hospitals.
You can't stop me in bump. And you definitely can't stop me playing off. You just try to contain me and stop me from getting a lot of catches.
I've been through my fair share of highs and lows. Yes, I've been written off, and it amazes me, and it amuses me, also, when I'm written off by the press cause then I tell them that's just the lull before the storm. And every time I've been down, I've been down, never out. So it just makes me work a lot harder.
So right off, I'm going to have to say that a lot of people have been comparing Life Is Killing Me to World Coming Down, and I think a lot of those people equate art and sales figures, and I don't do that.
I consider myself 100 percent a feminist, at odds with the feminist establishment in America. For me the great mission of feminism is to seek the full political and legal equality of women with men. However, I disagree with many of my fellow feminists as an equal opportunity feminist, who believes that feminism should only be interested in equal rights before the law. I utterly oppose special protection for women where I think that a lot of the feminist establishment has drifted in the last 20 years.
If you say, "Are you going to change your strategic objective?", it means you're leaving before the mission is complete, and we're not going to leave before the mission in Iraq is complete.
It would have been more obvious to go into film, based on the generation before me, but the generation before them were all composers or classical musicians.
It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
I'm into a lot of music, definitely a lot of rap. 'Dedication 4', the Lil' Wayne album. Actually, I've been getting into some Swedish house music; the beat just keeps me going a little bit.
There had been a number of failures but we weren't going out to ride a failure. And we felt they'd corrected all the difficulties with the boosters before that time and the launch problems. And so we had a lot of confidence that there was going to be a successful mission. We weren't off on some suicide effort, certainly.
I've got to give my brother a lot of credit because he's always introduced me to a lot of things and those films spiked an interest of, "Wow, this is an incredible world, how do you be a part of that?" That definitely helped me through my school years of doing theater.
I thought that that mission and the mission of taking care of those soldiers were my priorities, and I stand by the same today. There wasn't a lot of support for those soldiers.
The key thing for me has always been how we realize the mission - enabling every professional in the world to change their own economic curve by the strength of their alliances and connections with other people.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
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