A Quote by Aphex Twin
My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
When Labour loses we do one of three things. We decide we didn't win because we weren't leftwing enough: fantasy. We decide we can avoid the really tough decisions because they are too uncomfortable: a fudge. Or we decide that winning is too important.
European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't shot in sound studios, and that's a good thing, because in the studio system those movies would never have had a chance. And since we were coming from Europe, it was natural for us to use that simple style. Small budgets, less equipment, that was just how it was.
For the law, the clarity of language and the finality of judgment is crucial, because you have to decide a case one way or another - whether it is criminal or civil or whatever. In ordinary life, you do not have to decide things with absolute finality. You do not have to decide on a theory in order to behave in a certain way towards other people.
I'm always taken aback by things that are successful that I think are just crap, and then I'm completely surprised when things I do end up being successful because you walk into things and you never know... It's just really remarkable.
In the studio, if things go wrong, you stop things and fix them. I have never been in a recording studio, really, where the people in the booth were not interested in making a very good album. It's often a light-hearted atmosphere but serious at the same time.
I have got to figure out a system because I have bad filing, sorting, and organizing habits.
I was never really that worried about being a member of the Sopranos crew. I think it looks kind of fun to not have to work, to not have to take crap from anybody. And then there's the reality check in there, which is that you do have to work, you do have to take crap from people, and you can fail, and all these other things.
Im always taken aback by things that are successful that I think are just crap, and then Im completely surprised when things I do end up being successful because you walk into things and you never know Its just really remarkable.
If we lived forever, if the dews of Adashino never vanished, if the crematory smoke on Toribeyama never faded, men would hardly feel the pity of things. The beauty of life is in its impermanence. Man lives the longest of all living things... and even one year lived peacefully seems very long. Yet for such as love the world, a thousand years would fade like the dream of one night.
I suppose we all share this pipe-dream of being able to reach out a hand and find anything at will; what is amazing is that we think that good filing could somehow make it comes true. On the contrary: putting a letter into a filing system is like releasing your ferret in the Hampton Court maze.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
I can never look at anything I do subjectively - whether it's a Stone Sour record or a Slipknot record, I can never really have my own opinion of it, 'cos in my opinion it's all crap.
I think that I learned a studio system prefers a sort of professionalism from the director.
We've developed a very complex filing system for existence. We see things in terms of good or bad. We feel happiness, joy, pain, loss, guilt and remorse.
I started juggling a long time ago, but long before that, I was a golfer, and that's what I was: a golfer. And as a golfer and as a kid, one of the things that really sort of seeped into my pores, that I sort of lived my whole life, is process. And it's the process of learning things.
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