A Quote by Apichatpong Weerasethakul
Film is like a drug. It is a shelter when you cannot deal with reality.
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Strategic public investment to shelter and grow champion industries is a reality of the 21st century economy. We cannot ignore or wish this away.
I'm very lucky to say that I worked with a lot of directors who cannot make a bad film. Like when Wim Wenders, they cannot make a bad film. They can make a film people don't like, or it's the wrong moment.
It is not enough to show that drug A is better than drug B on the average. One is invited to ask, 'For which people ("& why") is drug A better than drug B, and vice versa? If drug A cures 40% and drug B cures 60%, perhaps the right choice of drug for each person would result in 100% cures.'
In Jesus Christ on the Cross, there is refuge; there is safety; there is shelter; and all the power of sin upon our track cannot reach us when we have taken shelter under the Cross that atones for our sins.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.
I was ashamed to let anyone know that I was living in a shelter. I remember one time coming home and some kids saw me and were like, "What you doing here? This is a shelter!" But I was like, "My mom's working there." It was pretty embarrassing.
There seems is predominantly a white person's drug addiction epidemic, so that's why you see white people in our film, Warning: This Drug May Kill You.
You can't tell me what we're doing right now is not working. The perception is, well, it's not. I don't deal in perception. I want to deal in reality. The reality of the matter is that the percentage of guys who are taking has gone way down.
Either you deal with what is the reality, or you can be sure that the reality is going to deal with you.
We cannot build the new culture for learning to which we aspire in an environment which is depressed and dampened every day by the impact of alcohol and drug abuse, and we should not, and we cannot, hide from that reality any longer. More and more of our students are demanding that they not be imposed upon by others whose judgment and behavior are impaired by substance abuse. It is time to take a stand.
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
Just like Sept. 11, only with nuclear weapons this time, that's the threat. I think that is the threat. I think it's just facing reality. It's not a happy reality, but it's reality and if you don't deal with it, it will become even more unpleasant.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
We cannot deal with people like human beings, we cannot deal with them on the high level of true humanity, unless we really know their origin-who they are. God tells man who he is. God tells us that He created man in His image. So man is something wonderful.
The amazing fact that one person can make his own film - I think animation is somewhat unique in that respect. I don't need to deal with lawyers. I don't need to deal with corporations. I don't need to deal with executives or agents or any of that. I can just sit at home and make a feature film. That's a wonderful experience. Each film I make gets more popular, more press and makes more money. So it's amazing that I've survived and actually prospered doing that sort of homegrown, cottage-industry filmmaking.
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