A Quote by apl.de.ap
Usually when you hear about rappers in Asia, they always try to be like gangsters and stuff like that and I don't get it.
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I really don't try to force the creative process. I'm really jealous of those other rappers who just hear a beat and write a song within minutes. I know a lot of rappers like that. I'm the type of artist who kind of has to sit with some stuff for a while.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Obviously, you take the risk to step over the line any time you do something where comedians interact with each other. Like a roast, somebody's always going to cross over the line. As far as the public goes, I like feedback, I like to hear laughter, and I like the occasional pointed heckle, but it's true: Everybody thinks that they need to express their opinion now. There's been this sea change where people are constantly writing to me directly about stuff, where in the past you'd never hear about it, because nobody would try to find you to make one of their stupid comments.
When I hear people flatteringly say, 'You're an expert on East Asia...' I'm certainly an observer of East Asia, and central Asia, and ASEAN, and to a lesser extent South Asia and the Gulf, but there's always something behind the wall in China.
I'd like to do a number of films. Westerns. Genre pieces. Maybe another film about Italian Americans where they're not gangsters, just to prove that not all Italians are gangsters.
I'm Uncle Snoop. That's the name I've been given in the industry because I'm like an Uncle to all of the rappers whether they are older than me or younger than me and I love giving advice. If I feel like they need some information, I give it to them, I sit them down and talk to them. I try to get all of the rappers on one page of peace, love and just having soul and just being about representing this music.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
I hate when rappers do interviews. They say stuff like, 'If I wasn't doing this, I'd be dead or in jail.' Like, damn, those are the only two options? What about managing Kinkos?
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
You can't play not to lose. You kind of have to put your ego aside and accept the fact that careers are long, and there's gonna be stuff people like and stuff that people don't like, and you try to get better every time, and always put something out that you're proud of. And let the chips fall where they may.
I feel like, at the end of the day, I always would try to make music that I wanted to listen to: stuff that I liked and wanted to hear.
I think it's kinda funny that all these rappers that used to be gangsters and thugs are telling us not to download their music from the internet, because that's stealing. Wow talk about ironic.
There are poor white people who hear rap music and feel it is about them, because it is. That's why you have an Eminem and a Bubba Sparxxx and rappers like that.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
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