A Quote by apl.de.ap
We want to show people in the U.S. and Europe that hey, here in Southeast Asia, we have so much artists brimming with talent and so deserving. We needed to tap into that so that the West can take notice and sign them up, too.
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I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.
Asia is not going to be civilized after the methods of the West. There is too much Asia and she is too old.
Europe began as the relatively empty, uncivilized Wild West of Asia; then the Western Hemisphere became the Wild West of Europe. Now the sun has set in our West and risen once more in the East.
I don't want to be the cranky old guy, but a lot of critics are too forgiving of mediocre artists. When you see these 'American Idol' people on the cover of 'Rolling Stone' being written about as serious artists, there's something wrong with that. You can erase them from the history of rock n' roll, and you wouldn't notice.
Perhaps the strongest signal of reengagement with Southeast Asia was the U.S.'s accession to the Southeast Asian Treaty of Amity and Cooperation.
It would be wrong to see the re-making of Asia, much less India,as a revolt against the West. Asia has indeed been re-built on the ruins of colonialism, but not on the ruins of all that the West has come to represent.
It's up to each person's parents whether they think it's too frightening or too violent, how much their kids can handle, what they want to teach them, what they want to show them.
People will think what they want to," he said quietly. Never take too much notice of it.
Istanbul and the western and southern seaboards are very Europeanized. But then you have the Kurdish areas, in the southeast. That's Turkey's Middle East, where you have a different society, which itself is changing but much more slowly, where women are maltreated, are expected to have huge families, and are often basically beasts of burden. That is changing - with education, with the movement of people from the southeast to the west and the cities. As with so much in Turkey, you can't expect change to happen overnight.
A lot of people who want to be serious artists probably don't want to go for a talent show, but it is a great launching pad.
I don't want to take too much responsibility, where I'm like, 'Oh, I'm representing Asia.'
When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.
Asia can learn much from Europe. Trade could be made easier in Asia, and the conditions for doing business could be improved by reducing red tape. In this regard, Hong Kong, Singapore and South Korea have done better than the best in Europe.
Our borders are much too porous...We want to keep them open, but we also have to be much more careful. ...Right now, if you get on an airplane [to the U.S.] and claim asylum...when you arrive at Kennedy Airport in New York, they will say to you, 'OK, we'll give you a hearing on whether you deserve asylum. Show up in a year.' And two-thirds of the people never show up.
Southeast Asia was home for much of my childhood, but I moved to Hawaii when I was in high school.
The WWE is fine. They can afford to not only sign anybody they really want, but they can also afford to sign people just to keep them out of the talent pool that everybody else has.
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