A Quote by apl.de.ap

I would take the jeepney all the way to Angeles City, and that's how I got introduced to break dancing. — © apl.de.ap
I would take the jeepney all the way to Angeles City, and that's how I got introduced to break dancing.
The 1980's witnessed a new dance genre in New York City and Los Angeles. Slam Dancing was perhaps a way for adolescent males to deal with the stressors of maturation, aggressive personal feelings, and violence in the society at large. Through dancing, the youths expressed raw power and rage while achieving euphoria, enhanced self-concept, and a healthy fatigue.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
My commitment is to Los Angeles, so whatever helps this continue to be a great city, that's what I would be focused to do, and the Dodgers are certainly iconic to Los Angeles.
I learned how to tell stories with Jay-Z on 'City Is Mine.' I learned how to film and choreograph dancing on 'Can I Get A...,' and I got to kind of be a documentary filmmaker with 'Hard Knock Life.'
It's pretty interesting how it all started out. After The Voice, I got introduced to some of my publishing people. We were out in Los Angeles and they said to give them a call when the show was all said and done and they'd get me into the writing world.
The need to express yourself in Los Angeles makes the city so vibrant. If I lived here, it would be lovely to be in a cool new high-rise looking out over a city that is exploding.
I call Los Angeles the city of alternatives. If you don't like mountains, we got the ocean. If you don't like Knott's Berry Farm, we've got Disneyland. If you don't like basketball, we've got the Clippers.
America's got to take a break from foreign wars, and take a break from immigration.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.
I keep trying to tell people that Los Angeles is already the largest Indian city in the U.S., that there are Toltecs playing Little League baseball in Pasadena, Mayans making beds at the Marriott in Westwood, and Chichimecs driving buses in L.A. Los Angeles is a majority-Indian city.
Inglewood is a microcosm of Los Angeles. It's a city by the airport. It's the first city when you're coming into L.A., and the last city when you leave.
This is one of the last unique things to do in the business of sports, to return the National Football League to the city of Los Angeles. I happen to love the city of Los Angeles; I happen to love the NFL - and to somehow be a part of that, a helper in that process, is something I've always been interested in.
Yeah, don't you take a break?" "I don't have time for breaks." "That's the whole point of a break. When you've got no time, you need a break.
In the '60s and '70s and early '80s, the trainers would grind you, and eventually they would break something - they would break an ankle in ways that it would heal. It was just the way of the business, to ensure that you learned respect for wrestling.
Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
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