A Quote by Apparat
'Dark Side of the Moon' was one of my father's favorite records, which I obviously didn't understand when I was young. To be honest, I don't really have too many memories of hearing it, but I definitely have memories of the cover.
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I don't really have any childhood memories of my dad, unfortunately, .. I was 10 years old when he passed, so my memories are kind of skewed. I don't have many memories of my childhood, period.
Dreams are composed of many things, my son. Of images and hopes, of fears and memories. Memories of the past, and memories of the future.
Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts.
The memories obviously of playing with Maradona are fantastic memories, he's probably the most important part of my career.
I have more eating memories than cooking memories and many memories of being in the kitchen - I was always attracted to the kitchen - but nobody ever wanted me to touch anything.
I do love the Nat King Cole stuff, the classic Christmas records. There's something about putting those records on and hearing his voice at Christmastime that brings back a lot of great memories of growing up.
Some memories remain close; you can shut your eyes and find yourself back in them. But there are second-person memories, too, distant you memories, and these are trickier: you watch yourself in disbelief.
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
I've been lucky to be a part of many blockbuster movies... in which it's hard to get to that level of being memorable, but I still have fond memories of 'Independence Day,' to be sure. There are also many small ones I've had that give me many fond memories.
I want to live with all of my memories, even if they’re sad memories. I believe that if I stay strong, someday I’ll overcome the pain, and then I’ll be glad that I have those memories. I believe that there are no memories that are okay to forget.
I'm blessed with a great memory. To be honest, a lot of times, being on my own at such a young age, my memories were all I had. I didn't have many pictures.
I was really interested in this ability for others to create virtual memories for us. In "The Cartographers" I explore this through Adam Woods, and the company he works for, which produces virtual memories that people can beam into their consciousness. While the technology is sci-fi, the story is also a metaphor for the way love relationships create memories in our minds.
I have a lot of memories, but I don't go into capitalizing on that. Something's got to be my own. I'm not doing the record to sit here and broadcast my memories of my father.
The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existance, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
Growing up, everyone around me in El Paso, Texas, was all about watching 'The Wall' and, you know, 'Money' and 'Dark Side of the Moon,' which are fantastic records, of course.
My earliest memories of going to Fenway with my father are a blur: many games, me too young to care, but aware that our team 'stunk.' In those years, the 1960s, the Red Sox baseball card I always coveted most was not Carl Yastrzemski's but the far more ordinary Felix Mantilla's.
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