I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
Drag can make you a little more fearless and I think girls especially love drag because they get to see somebody define their own standard of feminine beauty.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
Personally, I like drag that's a little rough around the edges, drag you can run around in it, drag you can get in the Uber without worrying about!
You can have a beard and do drag; you can be a woman and do drag. I've met faux queens. I've met kings. Anything that you want can be considered drag in the context.
Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.
A lot of people still have the idea that drag goes from one end of the gender spectrum to the other end of the gender spectrum, and they expect drag queens to be masculine out of drag and hyper-feminine in drag. I think that portrays a lot of binary thinking and, ultimately, a lot of misogyny.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.