A Quote by Aram Saroyan
I have friends who died being successful bohemians. Today, I see people my age who are gifted but who insisted on staying in this group, and it's beaten them so bad. They have to spend so much time on ego maintenance, they can't get any work done. They'd be very happy to sell out, but there are no buyers, and that hurts.
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Researchers have been looking for biomarkers of age for a long time and have failed. People sell tests out there to measure your biological age, and none of them work. There's no evidence that you can measure biological age with any reliability.
What I crave, and what I want to see on television, is when you see a minority character, not to have it being about them being black or Asian or Latino. If you watch 'Friends,' for example, it's not about a group of people being white. It's about a group of people being friends, you know? You should just let the characters exist.
I am human and I am very sensitive, so of course it hurts when there is someone out there criticizing you. You work to do your best, you work to receive appreciation. It definitely hurts me lesser today because with time and experience I have learned to reduce the negativity and truly recognize the positivity in life which is so much more.
There is another side [to ego] that can wreck a team or an organization. That is being distracted by your own importance. It can come from your insecurity in working with others. It can be the need to draw attention to yourself in the public arena. It can be a feeling that others are a threat to your own territory. These are all negative manifestations of ego, and if you are not alert to them, you get diverted and your work becomes diffused. Ego in these cases makes people insensitive to how they work with others and it ends up interfering with the real goal of any group efforts.
My general philosophy of playing bad guys, which I've sort of done, you know, half the time is, you know, very few people who we view as bad guys get out of bed and think, 'What evil, terrible thing am I going to do today?' Most people see their motivations as justified - as, you know, justifying whatever they do.
You can't be in a certain business and not sell to Amazon or not sell to Wal-Mart. You have to reckon with them, because even though there are other buyers, they're the only buyers that matter.
All you can do is make a piece of product, sell it on its own terms, stand behind it and hope that people will go see it. If you try to be like something else or appeal to any given group, then you can very easily end up being gratuitous and imitative. There's not much to be gained by that and I think too much time is spent going around trying to be like someone else.
Because work takes up a lot of time, you have to choose your moments for really letting rip. I hang out with my friends and my family and I spend time with my kids when I'm not working. They don't see my being an actor as exotic. For them, it's just an everyday thing. Sometimes it's amusing to them and other times, embarrassing.
When I was lucky enough to be successful, I distanced myself completely from the whole thing of units and selling copies. I just wanted to keep everyone who comes to see me happy. I spend so much time after my shows talking to people who come from all over the world to see me. I'll go out and sign a picture and have a chat.
If I get work done early, I can do some interacting with fans online, or see my friends. If I don't get that work done, you may not see much of me!
I would like to see a critical mass of very gifted anarchists come together in an appropriate place in order to do highly productive work. That's it. I don't know why that can't be done except for the fact that I think that people mistrust their own ideals today. I don't think that they don't believe in them; I think they mistrust the viability of them. They're afraid to commit themselves to their ideals.
Most people, of course, spend their lives caring about the wrong things. The worry about South Africa or Nicaragua. They spend so much time finding themselves that they lose their taxicabs. They don't see that what kind of napkin you get at a delicatessen is a matter of much significance in the world today. That's why they don't get linen.
MMA is pretty tough on your mind because it's a sport that's not just about winning. You really want to win bad, but it's tough when you lose. You get beaten. And it really messes with your ego, because nobody wants to get beaten by other people physically. It's not just a game. You get beaten physically.
Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.
I think it's just amazing to be in a group of women, in a group of people that you can spend enough time with them to really get to know people and be inspired by them and learn something new about them every day.
If you can find a group of women, any age, who are supportive and kind and love you, that's the best. I have a group of girlfriends that I would lay in front of a bus for. They've picked me up through really, really bad times and I can definitely say I've done the same for them.
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