A Quote by Aravind Adiga
I grew up, as many Indians do, in an archipelago of tongues. My maternal grandfather, who was a surgeon in the city of Madras, was fluent in at least four languages and used each of them daily.
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I like to travel, and I would love to be fluent in at least four languages.
Miami Beach - that's where I grew up, in a middle-class Jewish family led by my maternal grandfather. Me, my great-grandmother - a Holocaust survivor, who was my roommate - my grandparents, my mom and her brother all shared a four-bedroom house.
I grew up hearing stories about how my maternal grandfather had put himself through engineering school in New York City. He saved money by walking down to a gas station once a week to take a shower. When I applied to college, both education and investment value were important to me.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
The benefits of becoming fluent in a foreign tongue are as underestimated as the difficulty is overestimated. Thousands of theoretical linguists will disagree, but I know from research and personal experimentation with more than a dozen languages that (1) adults can learn languages much faster than children when constant 9-5 work is removed and that (2) it is possible to become conversationally fluent in any language in six months or less. At four hours per day, six months can be whittled down to less than three months.
I actually speak fluent English and Spanish and... I dabble in a couple of languages, but I'm not fluent in German, Russian and Arabic.
I grew up in that, when I was a kid. My friends and I used to play cowboys and Indians. We were cowboys killing the Indians, following the Wild West stories. All of this combined into a very strange culture, which is frightened.
New York is a great city. There is no question of that. It's such a diverse city. I've walked down the city and heard four or five different languages simultaneously. I think that's beautiful.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
She was fluent in four languages and yet her fists against the rusted hood were the fullest articulation of her defeat.
I don't really own anything. It makes me more fluent, er, fluid. More fluent, too, because I've learned a lot of languages by traveling around.
My grandfather spoke fluent Spanish and I have family members who speak fluent Spanish.
I'm used to shifting languages because my father used to speak to us, to my brother and I, he used to speak in English. He wanted us to be quite fluent in English, especially when he was trying to correct our behavior; he would do that in English.
The places I come from have such rich languages, such a variety of expression. In Sierra Leone we have about fifteen languages and three dialects. I grew up speaking about seven of them.
I am not in the least eloquent or fluent with languages. My writing on social media is quite pedestrian. But even if it was near any acceptability, I would not be in a position to pen a script or a book.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
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