A Quote by Araya Rasdjarmrearnsook

It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does. — © Araya Rasdjarmrearnsook
It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does.
Artists are free to push boundaries to make art. But when pushing boundaries is their only aim, the result is usually bad art.
There is what might be called a Catch-22 of hazardous occupations: The more hazardous the job, the more men; the more men, the less we care about making the job safer. The Catch-22 of hazardous occupations creates a 'glass cellar' which few women wish to enter. Women are alienated not just out of the fear of being hurt on the job, but by an atmosphere that can make a hazardous job more hazardous than it needs to be.
What the art world has done, it has been constantly been pushing the boundaries about what art can be. It's like expanding its territory.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
I want to always do things that are very current and pushing the boundaries of the way we create art.
Pushing the boundaries of polite society does not just fall under the purview of crime fiction authors.
If Art does not enlarge men's sympathies, it does nothing morally.
I think the Cold War works as a great analogy or simile for different kinds of conflict. It's funny, when you look back at it, it's one of the last times that the boundaries were clear. Now, as we see on 'Homeland,' there are no clear boundaries and enemies.
Delphine Lucielle's paintings are profound, unique, and moving. It is rare to find contemporary art that combines both beauty, innovation, and creates a new style of painting by fusing technology and nature. Delphine Lucielle is pushing the boundaries of what art is capable of.
Art glows with faith even in its weakest parts. At every moment, writing is an act of self-confidence – the sheerest, most determined, most stubborn self-belief. You CAN have faith and doubt at the same time; the most insecure writer on the planet has faith that shines just as bright as her doubt, and she deserves props for that. It might be hidden deep, she might not feel it and you might not see it, but it’s in there, or she wouldn’t be able to write.
Whenever you're writing a book or creating a movie or a game, your first task is to get the reader to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic.
Browse Amazon reviews, and you'll see a surprising number of readers who believe one novel can summarize a country, its culture, and its people.
I have a lot of teenage readers and readers in their early twenties. My writing style appeals to them. And if they look at my picture on the back of the book, they don't see someone who looks like their mother.
I'm not interested in re-creating the same blues I love so much. I'm interested in pushing boundaries.
We need to include more writers from different backgrounds and ethnicities. We need to see different experiences instead of the same people writing the same kinds of stories.
I think writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing.
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